贾汉吉尔皇帝的肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	贾汉吉尔皇帝的肖像
品名（英）	Portrait of Emperor Jahangir
入馆年号	1913年，13.228.47
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1590 - 公元 1645
创作地区	制造于: 印度（Made in: India）
分类	密码（Codices）
尺寸	图像: 高 8 7/8 英寸 (22.5 厘米) 宽 5 7/8 英寸 (14.9 厘米) Page: 高 14 5/8 英寸 (37.1 厘米) 宽 10 英寸 (25.4 厘米) Mat: 宽 19 1/4 英寸 (48.9 厘米) 高 14 1/4 英寸 (36.2 厘米)
介绍（中）	贾汉吉尔是一位严格的赞助人，与他雇用的艺术家密切合作。随着欧洲版画涌入印度，他统治期间创作的肖像画风格发生了巨大变化。他复制了许多这些版画，如此密切，以至于带来它们的游客无法区分原件，这种对准确性的热情反映在这里的画作中。这幅肖像画是一幅直截了当的肖像，与同样流行的皇帝寓言肖像的色调大不相同。没有普提从天上预示着皇帝，背景中也没有他广袤的领地。相反，贾汉吉尔被描绘成一个书籍爱好者，一个严肃的统治者，与画背面图表中列出的那些人完全一致，这使他的家谱可以追溯到帖木儿。
介绍（英）	Jahangir was an exacting patron who worked closely with the artists in his employ. The style of portraiture created during his reign changed dramatically with the influx of European prints into India. He had many of these prints copied, so closely that the visitors who had brought them could not distinguish the originals, and this zest for accuracy is reflected in the painting here. A straightforward likeness, this portrait is very different in tone from the allegorical portraits of emperors that were also popular. No putti herald the emperor from the heavens and there is no representation of his vast domains in the background. Rather, Jahangir is presented as a lover of books, a no-nonsense ruler squarely in the line of those listed in the chart on the back of the painting, which gives his genealogy stretching back to Timur.