切莲花碗 - 美国大都会艺术博物馆展品查阅

品名（中）	切莲花碗
品名（英）	Bowl with Incised Lotus Flowers
入馆年号	1911年，11.137.1
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1650 - 公元 1699
创作地区	归属于: 伊朗（Attributed to: Iran）
分类	陶瓷制品（Ceramics）
尺寸	高 3 3/8 英寸 (8.6 厘米) 直径 7 7/8 英寸 (20 厘米)
介绍（中）	这个碗和一个瓶子（91.1.131）是一组被称为Gombroon瓷器的伊朗陶瓷的一部分，以伊朗南海岸的一个贸易站命名。该港口地理位置优越，荷兰和英国东印度公司经常光顾，并作为陶瓷和其他奢侈品进入欧洲的转口港。贡布隆陶瓷的风格及其在国际贸易中的作用反映了十七世纪中国，伊朗和欧洲之间存在的重要艺术，文化和经济联系。像九世纪以来伊朗的大部分陶瓷生产一样，贡布隆瓷器试图模仿中国陶瓷，中国陶瓷特别珍贵，不仅因为它们的美学吸引力，还因为它们独特的技术品质。贡布隆瓷器的特点是切割线条，用于强调墙壁的薄度——这是伊朗工匠希望效仿的中国瓷器的特征。由于用于制造中国瓷器的白粘土高岭土在该地区不可用，工匠使用切口来创造半透明和不透明的微妙游戏。这个碗的侧面圆润，唇边平淡，脚短，可能是仿照中国的莲子碗，装饰着一条精心切割的六枚奖章，上面有荷叶和花朵——装饰细节也起源于中国
介绍（英）	This bowl along with a bottle (91.1.131) are part of a group of Iranian ceramics known as Gombroon ware, named after a trading post on the south coast of Iran. Ideally situated, the port was frequented by both the Dutch and English East India Companies and served as an entrepot for ceramics and other luxury goods into Europe. The style of Gombroon ceramics and their role in international trade reflect the significant artistic, cultural, and economic ties that existed between China, Iran, and Europe in the seventeenth century. Like much of Iranian ceramic production from the ninth century onward, Gombroon wares sought to emulate Chinese ceramics, which were especially prized, not only for their aesthetic appeal but also for their unique technical qualities. Gombroon ware is characterized by incised lines that serve to emphasize the thinness of the walls — a characteristic of Chinese porcelain that Iranian craftsmen hoped to emulate. Since kaolin, the white clay used to create Chinese porcelain, was unavailable in the region, craftsmen used incisions to create a subtle play of translucency and opacity. This bowl with its rounded sides, plain lip, and short foot, is probably modeled on Chinese lien-tzu (lotus seed bowls, and is ornamented with a band of elaborately incised design of six medallions containing lotus leaves and blossoms-- decorative details which are also of Chinese origin