长胡子的男人 - 美国大都会艺术博物馆展品查阅

品名（中）	长胡子的男人
品名（英）	Man with a Beard
入馆年号	1889年，89.15.3
策展部门	欧洲绘画（European Paintings）
创作者	Rembrandt【1606 至 1669】【荷兰人】
创作年份	公元 1600 - 公元 1889
创作地区
分类	绘画（Paintings）
尺寸	28 7/8 x 25 1/4 英寸 (73.3 x 64.1 厘米)
介绍（中）	虽然直到 1940 年左右才被伦勃朗学者普遍接受，但这幅画布被认为是 F. Schmidt-Degener 在 1935 年模仿的 18 世纪。支持这一观点的是粗略的执行，表面上与伦勃朗以小得多的比例绘制的"研究头像"中的执行相似;浅色粉笔地面和男人的衣领似乎异想天开地采用了古老的荷兰形式。调色板、松散的笔触和人物的正面呈现让人想起伦勃朗大约 1665 年的风格。日期刻在画上，但简单的平行笔触应用，导致平面和虚无的形式，光影的尴尬突然对比，最后，没有任何令人信服的个性或思想迹象，与大师的成熟方式完全格格不入。相当多的伦勃朗仿制品和赝品可以追溯到十八世纪的英国，这幅画首次被记录在威廉·奈顿爵士（死于 1836 年）的收藏中。
介绍（英）	Though generally accepted by Rembrandt scholars until about 1940, this canvas was considered an eighteenth-century imitation by F. Schmidt-Degener in 1935. Supporting this view is the sketchy execution, which is superficially similar to that found in Rembrandt's "study heads" painted on a much smaller scale; the light chalk ground and the man's collar appears fancifully to adopt an older Dutch form. The palette, the loose brushwork, and the frontal presentation of the figure recall Rembrandt's style of about 1665. The date is inscribed on the picture, but the simple application of parallel brushstrokes, resulting in flat and insubstantial forms, the awkwardly abrupt contrasts of light and shade, and, finally, the absence of any convincing indication of personality or thought are entirely alien to the master's mature manner. Quite a few Rembrandt imitations and forgeries date from the eighteenth century in England, where this painting was first recorded in the collection of Sir William Knighton (died 1836)