调度承载器 - 美国大都会艺术博物馆展品查阅

品名（中）	调度承载器
品名（英）	The Dispatch-Bearer
入馆年号	1925年，25.110.26
策展部门	欧洲绘画（European Paintings）
创作者	Alphonse-Marie-Adolphe de Neuville【1835 至 1885】【法国人】
创作年份	公元 1880
创作地区
分类	绘画（Paintings）
尺寸	51 1/4 x 84 英寸 (130.2 x 213.4 厘米)
介绍（中）	《派遣员》在1881年的沙龙展出。正如德·诺伊维尔在展览目录中解释的那样，这幅画描绘了 1870-71 年普法战争中的一个事件。一名伪装成农民的法国士兵在试图通过法国梅斯市周围的德国防线时被捕。他知道，当德国军官完成搜查和审讯时，他会被枪杀。梅斯在围困了五十四天后投降，战后这座城市被割让给德国人。这幅画颂扬了被俘法国人的勇气和勇敢，是七十年代和八十年代沙龙中出现的众多爱国和民族主义主题画作的一个例子。正如一位评论家所写，"这个黑发男人有着精致骄傲的五官，强壮敏捷的身体，坚实活泼的优雅，这个人的脸上带着种族的真实印记。谁能不认出他是法兰西之子呢？
介绍（英）	The Dispatch-Bearer was exhibited at the Salon of 1881. As de Neuville explained in the exhibition catalogue, this painting depicts an incident from the Franco-Prussian War, 1870–71. A French soldier, disguised as a peasant, was caught during an attempt to pass through the German lines surrounding the French city of Metz. He knew that when the German officers finished their search and interrogation he would be shot. Metz capitulated after a fifty-four day siege, and after the war the city was ceded to the Germans. The present painting, extolling the courage and bravery of the captured Frenchman, is an example of the numerous paintings with patriotic and nationalistic themes that appeared in the Salons during the seventies and eighties. As one critic wrote, "This dark haired man with his fine proud features, and strong agile body, and solid lively elegance, this man carries in his face the authentic mark of the race. Who could fail to recognize in him a son of France?"