波斯尼亚语（吉尔吉斯斯坦） - 美国大都会艺术博物馆展品查阅

品名（中）	波斯尼亚语（吉尔吉斯斯坦）
品名（英）	Jizō Bosatsu (Ksitigarbha)
入馆年号	1975年，1975.268.166a–d
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1250 - 公元 1299
创作地区
分类	雕塑（Sculpture）
尺寸	整体: 高 45 3/4 × 宽 24 1/8 × 深 23 7/8 英寸 (116.2 × 61.3 × 60.6 厘米) (Figure): 高 19 1/2 × 宽 16 1/2 × 深 15 3/4 英寸 (49.5 × 41.9 × 40 厘米) (Base): 高 17 1/4 × 宽 24 1/8 × 深 23 7/8 英寸 (43.8 × 61.3 × 60.6 厘米) (Halo): 高 28 7/8 英寸 (73.3 厘米)
介绍（中）	以佛教僧侣的形象出现，没有菩萨通常佩戴的王冠和珠宝，吉兹ō波萨苏是佛教万神殿中最容易辨认的神之一，也许也是最具同情心的神之一。他的崇拜起源于中亚，梵语称为"土女人"。它在八世纪到达日本，但在镰仓时期与净土宗有关而蓬勃发展。尽管Jizō被称为旅行者、儿童和分娩妇女的保护者，但他尤其受到尊敬，因为他代表那些在地狱中受苦的人进行了干预，地狱是六种存在境界中最低的。他被描绘成一个僧侣，表情开放，富有同情心，随时准备听到痛苦的呼唤。他手里拿着一根旅行杖，它的六个戒指象征着他在所有存在领域的仁慈程度，它的叮当声是他跌倒的信号，以免他伤害到哪怕是最小的生物这个宁静优雅的人物体现了理想主义的雕塑风格，这种风格经常被用来传达净土宗的特殊精神：Jizō温暖、真实的面部特征给了他一种富有同情心的表达，这种表达会邀请信仰，而信仰反过来又会带来救赎。他那件飘逸的长袍，加上精心制作的金箔设计，给人以优雅精致的印象。
介绍（英）	Represented in the guise of a Buddhist monk and devoid of the crown and jewels customarily worn by bodhisattvas, Jizō Bosatsu is among the most readily recognizable of the many deities in the Buddhist pantheon and perhaps the most sympathetic. Called Ksitigarbha ("Earth Womb") in Sanskrit, his worship originated in Central Asia. It reached Japan in the eighth century but flourished during the Kamakura period in connection with the Pure Land sects. Although Jizō is invoked for many roles—as protector of travelers, of children, and of women in childbirth—he was especially venerated for his intervention on behalf of those suffering in hell, the lowest of the Six Realms of Existence. He is portrayed as a monk with an open, compassionate expression ready to hear the call of the suffering. In his hand is a traveler's staff, its six rings a symbol of the extent of his mercy through all realms of being, and its clinking sound a signal of his foot's fall lest he harm even the smallest creature. This serenely graceful figure exemplifies the idealistic sculptural style that was often employed to convey the special ethos of Pure Land Buddhism: Jizō's warm, truthful facial features give him a compassionate expression that invites faith, which, in turn, will lead to salvation. His gently flowing robe, with its finely crafted gold-leaf designs, enhances the impression of elegant refinement.