Noh剧《Hakurakuen》的模仿 - 美国大都会艺术博物馆展品查阅

品名（中）	Noh剧《Hakurakuen》的模仿
品名（英）	Parody of the Noh Play "Hakurakuten"
入馆年号	1936年，JP2434
策展部门	亚洲艺术（Asian Art）
创作者	Suzuki Harunobu【1725 至 1770】【日本人】
创作年份	公元 1756 - 公元 1776
创作地区
分类	印刷品（Prints）
尺寸	高 11 英寸 (27.9 厘米); 宽 10 1/2 英寸 (26.7 厘米) medium-size block (chu-ban)
介绍（中）	《Hakurakuten》是一部经典的能剧，讲述了关于日本和中国文化相对成就的智力辩论：日本和合诗是否比受人尊敬的唐诗更具优势？该剧以博居一（Hakurakuten饰）和日本和贺神Sumiyoshi Myōjin之间的讨论形式呈现了这场辩论。Harunobu的版画是对这场高尚比赛的滑稽演绎，用一个日本女孩代替了和歌神，用一位韩国大使代替了中国诗人。他戴着一个方形吊坠，穿着高腰的韩国官方服装反对者不是用诗歌来衡量民族文化，而是用绘画来面对面。尽管薄居易（或韩国大使）对中国（或韩国）的水墨画感到自豪，但他还是忍不住渴望地将手指放在嘴里，做出一种传统的嫉妒姿态，这表明他对这位可爱的竞争对手的钦佩，因为她画的是日本浮世绘风格。
介绍（英）	Hakurakuten is a classic Noh play dealing with the intellectual debate on the relative attainments of Japanese and Chinese culture: has the Japanese waka poem achieved superiority over the venerated Tang Chinese poem? The play presents this debate in the form of a discussion between Bo Juyi (Hakurakuten) and Sumiyoshi Myōjin, the Japanese god of waka. Harunobu's print is a delightfully ludicrous rendition of this high-minded contest, substituting a Japanese girl for the god of waka and a Korean ambassador for the Chinese poet. He wears a square pendant and an official Korean costume with a high waist. Instead of poetry as the measure of national culture, the opponents face each other with paintings. Despite the pride he feels about the Chinese (or Korean) ink painting, Bo Juyi (or the Korean ambassador) cannot help but wistfully place his finger in his mouth in a traditional gesture of envy, a sign of his admiration for his lovely competitor with her painting in the Japanese ukiyo-e style.