带亭子的景观 - 美国大都会艺术博物馆展品查阅

品名（中）	带亭子的景观
品名（英）	Landscape with Pavilion
入馆年号	1985年，1985.7
策展部门	亚洲艺术（Asian Art）
创作者	Kenkō Shōkei 賢江祥啓【1478 至 1523】【日本人】
创作年份	公元 1478 - 公元 1480
创作地区
分类	绘画（Paintings）
尺寸	图像: 19 13/16 x 13 13/16 英寸 (50.3 x 35.1 厘米) Entire scroll: 58 5/8 x 19 英寸 (148.9 x 48.3 厘米) 宽包含 rollers: 21 英寸 (53.3 厘米)
介绍（中）	一位中国绅士靠在偏僻的湖畔凉亭的栏杆上，他的目光被远处陡峭的山峰瀑布所吸引。由著名的禅宗僧人东源瑞泉（Tōgen Zuisen）绘制的诗意铭文将这幅画像与一位中国古代隐士联系在一起，这位隐士以拒绝宫廷职位而转而整天独自钓鱼而闻名。东玄是艺术家贤光昭庆的熟人，他是一位禅宗僧人，1478年从镰仓前往京都学习了三年的中国画。在那段时间里，他以中国画家夏贵（活跃于约1195-1230年）的风格创作了这幅风景画，这是他已知最早的作品，他可能只是在京都第一次遇到他的照片。中国诗句用四幅七字对联读到：这个世界，谁拥有它？宁静是这个地方，早已与尘土飞扬的世界分开。一望无际的瀑布像一群白鹭一样翱翔，无边无际的湖面像鱼鳞一样荡漾。小艇漂浮在树梢和茅草屋檐上，尖顶的山峰屏风矗立在云层的边缘。为什么不与一群海鸥分享这些钓鱼浅滩呢？哦，我多么渴望在富春拜访燕玲！ ——亚伦·里奥
介绍（英）	A Chinese gentleman lounges against the parapet of a remote lakeside pavilion, his gaze captured by a waterfall plunging from precipitous peaks far above. The poetic inscription brushed by Tōgen Zuisen, a prominent Zen monk, ties the painted image to an ancient Chinese hermit who famously turned down a position at court in favor of spending his days fishing in isolation. Tōgen was an acquaintance of the artist, Kenkō Shōkei, a fellow Zen monk who journeyed from Kamakura to Kyoto in 1478 to study Chinese painting for three years. During that time he created this landscape, his earliest known datable work, in the style of the Chinese painter Xia Gui (active ca. 1195–1230), whose pictures he had probably only just encountered for the first time in Kyoto. The Chinese verse reads in four seven-character couplets: This world, who possesses it? Tranquil is this place, long separated from the dusty world. An endless cascade soars as if a flock of egrets, the surface of a boundless lake ripples like the scales of a fish. Skiffs float beyond treetops and thatched eaves, a screen of spired peaks stands at the clouds’ edge. Why not share these fishing shallows with a throng of gulls? Oh how I long to visit Yan Ling at Fuchun! —Trans. Aaron Rio