仙丹台上的春晓 - 美国大都会艺术博物馆展品查阅

品名（中）	仙丹台上的春晓
品名（英）	Spring Dawn Over the Elixir Terrace
入馆年号	1982年，1982.2.2
策展部门	亚洲艺术（Asian Art）
创作者	Lu Guang【1300 至 1371】
创作年份	公元 1359 - 公元 1379
创作地区
分类	绘画（Paintings）
尺寸	图像: 24 1/4 x 10 1/4 英寸 (61.6 x 26 厘米) 整体 with mounting: 87 1/2 x 17 5/8 英寸 (222.3 x 44.8 厘米) 整体 with knobs: 87 1/2 x 20 5/8 英寸 (222.3 x 52.4 厘米)
介绍（中）	为了躲避元朝末年的动荡，陆光远离故乡苏州。1368年明朝建立后，他回到太湖地区后画了《春曙》。画名中对长生不老药台的引用表明了艺术家对道教炼金术和追求不朽的兴趣;这首诗描述了"黎明时分井中发出的长生不老药变成[吉祥]云"，表达了卢对新时代的乐观态度。1369年在吴兴城，陆光看到并题写了一幅重要的画作，据说是阎文贵（约980-1010年）。虽然大约同时作的《春曙》显示出阎文贵不朽构图的影响，但陆光的笔触与北宋的描写风格完全不同。松散的动觉笔触，一层又一层地构建在自己身上，唤起了风景的形式，就像一首音诗。
介绍（英）	To escape the turbulence of the closing years of the Yuan dynasty, Lu Guang traveled far from his native city of Suzhou. He painted Spring Dawn after his return to the Lake Tai area, following the establishment of the Ming dynasty in 1368. The reference to the Elixir Terrace in the title of the painting indicates the artist's interest in both Daoist alchemy and the pursuit of immortality; the poem, which describes "elixir rays emitted from a well turning into [auspicious] clouds at dawn," expresses Lu's optimism in the new era. In the city of Wuxing in 1369, Lu Guang saw and inscribed an important painting attributed to Yan Wengui (act. ca. 980-1010). Although Spring Dawn, which was painted about the same time, shows the influence of Yan Wengui's monumental composition, Lu Guang's brushwork is utterly different from the Northern Song descriptive style. The loosely directed kinesthetic brush-strokes, building layer after layer upon themselves, evoke landscape forms as might a tone poem.