诺森伯兰郡泰恩茅斯城堡 - 美国大都会艺术博物馆展品查阅

品名（中）	诺森伯兰郡泰恩茅斯城堡
品名（英）	Tynemouth Castle, Northumberland
入馆年号	2013年，2013.76
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Samuel Buck【1696 至 1779】【英国人】
创作年份	公元 1728
创作地区
分类	图画（Drawings）
尺寸	页: 6 1/8 x 13 5/8 英寸 (15.5 x 34.6 厘米)
介绍（中）	1726年11月，塞缪尔·巴克宣布了一项计划，系统地记录整个英格兰的废墟。由于担心城堡、宗教基金会和其他古董遗迹正在崩塌，他提议"将这些古老而古老的建筑的损毁遗迹从无情的时间之口中拯救出来"。这位艺术家与他的兄弟纳撒尼尔合作，最终创作了400多幅记录废墟的版画。这张精确绘制的纸与出版于《巴克的文物；或英格兰和威尔士四百座城堡、修道院、宫殿的尊者遗迹：城市和主要城镇近百景》（1726-42）的印刷品有关。这张照片是在现场绘制的，它为英国出现了一种古物主义的敏感性提供了证据，这是准确研究和记录过去的历史冲动的一部分，而不是对腐朽的浪漫反应。
介绍（英）	In November 1726 Samuel Buck announced a plan to systematically record ruins throughout England. Distressed that castles, religious foundations, and other antique remains were crumbling away, he proposed to "rescue the mangled remains of these aged & venerable edifices from the inexorable jaws of time." Working with his brother Nathaniel, the artist would eventually produce over four hundred prints recording ruins. The present precisely drawn sheet relates to a print published in "Buck's Antiquities; Or Venerable Remains of Above Four Hundred Castles, Monasteries, Palaces, &c. &c. in England and Wales: With Near One Hundred Views of Cities and Chief Towns" (1726–42). Drawn on the spot, the image offers evidence for the emergence of an antiquarian sensibility in Britain, part of an historical impulse to accurately research and record the past rather than a romantic response to decay.