爱德华堡（哈德逊河投资组合第10位） - 美国大都会艺术博物馆展品查阅

品名（中）	爱德华堡（哈德逊河投资组合第10位）
品名（英）	Fort Edward (No. 10 of The Hudson River Portfolio)
入馆年号	1954年，54.90.1274(10)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	John Hill【1770 至 1850】【美国人，出生于英国】
创作年份	公元 1822 - 公元 1823
创作地区
分类	印刷品（Prints）
尺寸	图像: 14 1/16 x 20 3/16 英寸 (35.7 x 51.3 厘米) 页: 19 x 24 1/2 英寸 (48.3 x 62.2 厘米)
介绍（中）	在这张照片中，我们从一条收费公路向上游看去，这条收费公路在米勒堡大桥以北11英里处向哈德逊河下降（这项工作在Portfolio中出现了问题，应该按照第7栏来复制reiver的准确下降）。相关文本强调了该地区动荡的历史，并指出，尽管"犁现在平静地翻起了被成千上万人的鲜血滋润的土壤……对光荣事业的记忆仍然充满活力……他们的行动场景将被视为最古老的神圣。"。"这幅版画来自艺术家、作家和出版商合作制作的一座美国版画纪念碑。1820年夏天，出生于爱尔兰的威廉·盖伊·沃尔在哈德逊河沿岸进行了巡回演出和素描，然后绘制了大型水彩画。有人提议以四幅一套的方式向订户发行同等规模的版画，约翰·鲁本·史密斯受雇制作这些版画后来，史密斯被伦敦训练有素的水彩雕刻师约翰·希尔取代，他完成了前四块版画，到1825年又制作了十六块。在接下来的十年里，Portfolio的流行激发了人们对美国景观的新欣赏，并为哈德逊河学校铺平了道路。
介绍（英）	We look upriver in this print from a turnpike road that descends towards the Hudson, eleven miles north of the Fort Miller Bridge (the work is out of order in the Portfolio, and should follow plate 7 to replicate an accurate descent of the reiver). The related text emphasizes the region's tumultuous history, noting that although, "the ploughshare now peacefully turns up the soil moistened by the blood of thousands...the memory of days of glorious enterprise remains vigorous...and the scene of their operation will be held sacred to remotest ages." The print comes from a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson then painted large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.