河岸树间的风 - 美国大都会艺术博物馆展品查阅

品名（中）	河岸树间的风
品名（英）	Wind among the Trees on the Riverbank
入馆年号	1989年，1989.363.39
策展部门	亚洲艺术（Asian Art）
创作者	Ni Zan【1306 至 1374】【中国人】
创作年份	公元 1363
创作地区
分类	绘画（Paintings）
尺寸	图像: 23 1/4 x 12 1/4 英寸 (59.1 x 31.1 厘米) 整体 with mounting: 102 1/4 x 22 1/4 英寸 (259.7 x 56.5 厘米) 整体 with knobs: 102 1/4 x 27 1/2 英寸 (259.7 x 69.9 厘米)
介绍（中）	1356年至1366年间，倪瓒过着难民的生活，与家人住在苏州西南部一个他戏称为蜗牛屋的地方。与他在无锡的日子相比，这是"另一个一生"，但这个家庭能够安定下来，过上"简单的生活、和谐和幸福"的生活；因此，他们有时会显得粗略，这是倪有意识地追求的一个特点："尝试以粗略的方式做事。自由地发展形式……通过跟随你的想法和感受。" 这幅画是为同为学者的艺术家余侃（活跃于14世纪）创作的，反映了倪的自发方式。画于倪妮妻子去世的同一年，这可能也表达了艺术家日益增长的孤立感。他的铭文写道：在河岸上，晚潮开始落下<风吹的树林里，被霜覆盖的叶子稀疏我倚在我的手杖上，灌木丛的大门紧闭而寂静我想起我的朋友，山上的光辉几乎消失了。
介绍（英）	Between 1356 and 1366 Ni Zan led a refugee's life, residing with his family southwest of Suzhou at a place he nicknamed the Snail's Hut. Compared to his Wuxi days, this was "another lifetime," but the family was able to settle down to an existence of "simple sustenance, harmony, and happiness." His paintings and calligraphy from this period are more assured and relaxed; consequently, they sometimes appear sketchy, a characteristic Ni consciously sought: "Try to do things in a sketchy manner. Develop forms with a free hand . . . by following your ideas and feelings." This painting, made for fellow scholar-artist Yu Kan (active 14th century), reflects Ni's spontaneous manner. Painted the same year Ni's wife died, it may also express the artist's growing sense of isolation. His inscription reads: On the riverbank, the evening tide begins to fall; The frost-covered leaves of the windblown grove are sparse. I lean on my staff—the brushwood gate is closed and silent; I think of my friend—the glow is nearly gone from the hills.