蜡烛棒与点燃的蜡烛来自：Insigne Ac Plane Novum Opus Cratero graphicum；在新昆斯特布奇（…）冯·阿莱利·特林克格谢连·克雷登岑（…） - 美国大都会艺术博物馆展品查阅

品名（中）	蜡烛棒与点燃的蜡烛来自：Insigne Ac Plane Novum Opus Cratero graphicum；在新昆斯特布奇（…）冯·阿莱利·特林克格谢连·克雷登岑（…）
品名（英）	Candlestick with Lighted Candle from: Insigne Ac Plane Novum Opus Cratero graphicum; Ein new kunnstbuch (...) von allerley trinnckgeschiren Credenntzen unnd Bechernn (...)
入馆年号	1937年，37.86.8
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Matthias Zündt【1498 至 1572】【德国人】
创作年份	公元 1500 - 公元 1599
创作地区
分类	印刷品（Prints）
尺寸	页: 11 x 6 1/8 英寸 (28 x 15.5 厘米)
介绍（中）	Mathias Zündt是活跃在16世纪中期德国的一群金匠之一，他们已经了解了印刷图像的许多可能性。在1551年出版的一系列杯子、烛台、花瓶和其他类型的器皿的扉页上，他表示，他的插图旨在激励金匠、雕塑家、画家和其他艺术家创作自己的作品。然而，我们可以假设，Zündt的努力并不完全是无私的。通过出版这些和许多其他设计，他确保了自己的名气增加，并吸引了人们对他作为金匠的能力的关注，希望能吸引更多的佣金。目前的印刷品显示了一个配有点燃的蜡烛的烛台，这是一个独特的例子，它显示了物体将要使用的样子。火焰周围描绘的椭圆形可能代表一面镜子，这会增加闪光的强度。
介绍（英）	Mathias Zündt was one of a group of goldsmiths active in mid-sixteenth-century Germany who had come to understand the many possibilities of the printed image. On the title page to the series of cups, candlesticks, vases, and other types of vessels he published in 1551, he states that his illustrations were intended to inspire goldsmiths, sculptors, painters, and other artists in works of their own. We can assume, however, that Zündt’s effort was not entirely altruistic. By publishing these and many other designs, he ensured an increase in his own fame and drew attention to his own capabilities as a goldsmith in the hopes of attracting more commissions. The current print showing a candlestick, outfitted with a lighted candle is a unique example that shows the object as it would be put to use. The oval depicted around the flame might represent a mirror, which would have increased the intensity of the shining light.