达摩祖师乘芦苇渡长江 - 美国大都会艺术博物馆展品查阅

品名（中）	达摩祖师乘芦苇渡长江
品名（英）	Bodhidharma crossing the Yangzi River on a reed
入馆年号	1982年，1982.1.2
策展部门	亚洲艺术（Asian Art）
创作者	Li Yaofu【1300 至 1300】【中国人】
创作年份	公元 1271 - 公元 1316
创作地区
分类	绘画（Paintings）
尺寸	图像: 33 3/4 × 13 5/16 英寸 (85.7 × 33.8 厘米) 整体 with mounting: 61 1/4 × 14 英寸 (155.6 × 35.6 厘米) 整体 with knobs: 61 1/4 × 15 7/8 英寸 (155.6 × 40.3 厘米)
介绍（中）	达摩祖师是传说中的印度祖师，他将禅宗带入中国。在与中国皇帝梁武帝（公元502–49年在位）进行了一次失败的会面后，达摩祖师"折断了一根芦苇，渡过了长江，前往少林寺（位于河南嵩山上）。" 这幅画由李耀福署名，李耀福的名字只出现在日本的记录中，并由1299年前往日本的著名中国传教士伊山一宁题写。在那里，一山担任镰仓和京都寺庙的住持，直到去世。碑文写道：他穿越河流和沙漠而来面对皇帝，他承认："我不知道"<不成功，他继续前进，他的脚在水上踩着虽然主流画家遵循李公麟（约1049–1106）的风格，即白描（即"白描"），用均匀厚度的受控线条绘制，但禅画家采用了更灵活的画笔风格，将细线条与渐变的水墨笔触以自由表达的方式结合起来。在这里，面部的微妙渲染记录了圣人的外国特征，并抓住了精神集中的本质。
介绍（英）	Bodhidharma was the legendary Indian patriarch who brought Chan Buddhism to China. After an unsuccessful audience with the Chinese emperor Liang Wudi (r. 502–49), Bodhidharma “broke off a reed, crossed the Yangzi River, and proceeded to the Shaolin Temple [on Mount Song in Henan Province].” This painting is signed by Li Yaofu, whose name appears only in Japanese records, and is inscribed by Yishan Yining, the renowned Chinese missionary who went in 1299 to Japan. There, Yishan served as abbot of temples in Kamakura and Kyoto until his death. The inscription reads: Crossing rivers and deserts he came. Facing the emperor he confessed, “I don’t know”; Unsuccessful, he moved on, His feet treading the water. While mainstream painters followed the style of Li Gonglin (ca. 1049–1106)—that of baimiao, or “white drawing,” executed with a controlled line of uniform thickness—the Chan painter employed a more flexible brush style that combined fine lines with graduated ink-wash strokes in a free expressive manner. Here, the subtle rendering of the face records the holy man’s foreign features and captures the essence of spiritual concentration.