Sarcophagus的侧面板 - 美国大都会艺术博物馆展品查阅

品名（中）	Sarcophagus的侧面板
品名（英）	Side Panel from a Sarcophagus
入馆年号	1994年，1994.370a, b
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1100 - 公元 1299
创作地区
分类	雕塑（Sculpture）
尺寸	高 24 1/2 英寸 (62.2 厘米); 宽 74 英寸 (188 厘米); 深 2 5/8 英寸 ( 6.7 厘米)
介绍（中）	这座石棺的墓碑上装饰着一个表演团，准备在一栋两层楼的阳台上表演。侧板上有二十四个孝道故事的叙事场景。在潘德冲（1191–1256）的石棺上发现了一套非常相似的雕刻插图。潘德冲于1260年被埋葬在山西省西南部著名的道教寺庙永乐宫。潘是北方道教全真派的领军人物，主张孝道的重要性，所以他的石棺采用儒家的孝道主题装饰也就不足为奇了。这个剧团的意义还不清楚这些叙事场景是学者艺术家李公麟（约1041-1106）的主题和细线绘画风格的流行表现，尤其是他1085年左右的《孝经》。李的代表作通过一种新的书法表现风格，以及一套新的插图，对当代政治和道德问题进行了微妙的评论，赋予了这一经典儒家主题当代意义。石棺可以追溯到大约200年后，显示了李的主题关注和绘画风格对流行艺术形式的广泛影响
介绍（英）	The headstone of this sarcophagus is embellished with an acting troupe poised to perform on the balcony of a two-story building. The side panels feature narrative scenes illustrating twenty-four stories of filial piety. A very similar set of engraved illustrations was discovered on the sarcophagus of Pan Dechong (1191–1256), who was buried in 1260 on the grounds of the Yongle Palace, a famous Daoist temple located in southwestern Shanxi Province. Pan was a leading member of the Quanzhen sect of northern Daoism, which advocated the importance of filial behavior, so it is not surprising that the Confucian theme of filial paragons was adopted to decorate his sarcophagus. The significance of the theatrical troupe is still unclear. These narrative scenes are a popular manifestation of the subject matter and fine-line drawing style of the scholar-artist Li Gonglin (ca. 1041–1106), particularly his Classic of Filial Piety of around 1085. Li's masterpiece gave contemporary relevance to this canonical Confucian subject through a new expressive style of calligraphic brushwork as well as through the creation of a new set of illustrations that offered subtle commentaries on contemporary political and moral questions. The sarcophagus, which may be dated roughly two hundred years later, shows the widespread impact of Li's thematic concerns and drawing style on popular art forms