梵天与侍从和音乐家 - 美国大都会艺术博物馆展品查阅

品名（中）	梵天与侍从和音乐家
品名（英）	Brahma with Attendants and Musicians
入馆年号	1921年，21.57
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1567 - 公元 1599
创作地区
分类	绘画（Paintings）
尺寸	图像: 85 × 87 英寸 (215.9 × 221 厘米) 整体 with mounting: 132 × 97 英寸 (335.3 × 246.4 厘米) 整体 with knobs: 132 × 101 3/4 英寸 (335.3 × 258.4 厘米)
介绍（中）	梵天（朝鲜语：Beomcheon）最初是一位印度教神，后来被纳入佛教万神殿，与印度教神因陀罗（朝鲜文：Jeseok）一起成为佛教教义的保护者。梵天被解释为一个充满娱乐和音乐家的欢乐之地。在这幅作品中，轻盈的人物演奏着乐器，如口风琴、长横笛、二弦小提琴、曲颈四弦琵琶、木拍手和粘土制成的三角形管乐器，围绕着中心高耸的梵天。仪式粉丝和最上面一排助理举着的镶有珠宝的檐篷漂浮在节日现场的上方大麻上的佛教绘画是由非皇室成员委托创作的，而精英成员则喜欢丝绸。无论材料如何，由于官方镇压佛教和提倡新儒家思想，朝鲜早期的佛教绘画都很罕见当哈克尼斯夫人于1921年将这件作品交给大都会博物馆时，人们认为它要么是中国的，要么是韩国的。爱德华·S·哈克尼斯夫妇还收藏并捐赠了欧洲装饰艺术和埃及艺术。
介绍（英）	Originally a Hindu deity, Brahma (Korean: Beomcheon) was incorporated into the Buddhist pantheon and, along with the Hindu god Indra (Korean: Jeseok), became the protector of Buddhist teachings. The Brahma heaven was interpreted as a place of pleasure filled with entertainers and musicians. In this work, lithe figures playing instruments, such as a mouth organ, a long transverse flute, a two-stringed violin, a four-stringed lute with a crooked neck, wood clappers, and a triangular wind instrument made of clay, surround the towering Brahma at center. Ceremonial fans and bejeweled canopies held by assistants in the top row float above the festive scene. Buddhist paintings on hemp were commissioned by non-royals, while members of the elite favored silk. Regardless of material, Buddhist paintings from the early Joseon period are rare because of the official suppression of Buddhism and promotion of neo-Confucian ideology. When Mrs. Harkness gave this work to the Met in 1921, it was thought to be either Chinese or Korean. Mr. and Mrs. Edward S. Harkness also collected and donated European decorative art and Egyptian art.