圣玛丽抹大拉忏悔会 - 美国大都会艺术博物馆展品查阅

品名（中）	圣玛丽抹大拉忏悔会
品名（英）	Saint Mary Magdalen Penitent
入馆年号	1953年，53.601.336(2)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Hendrick Goltzius【1558 至 1617】【荷兰人】
创作年份	公元 1585
创作地区
分类	印刷品（Prints）
尺寸	页: 11 5/8 x 7 15/16 英寸 (29.6 x 20.2 厘米)
介绍（中）	Goltzius对Mary Magdalen的优雅雕刻是他最早的版画之一，反映了鲁道夫二世的宫廷画家Bartholomeus Spranger的影响，他于1583年被介绍给鲁道夫二世。Goltzius描绘了抹大拉生活中的几个插曲；她与基督的互动，以及导致她在基督死后成为忏悔者的时刻。她半跪在岩石景观中，手放在头骨上，一边读祈祷书一边哭泣。前景是一个装饰华丽的小罐子，里面装着她在基督与法利赛人共进晚餐时用来给他擦脚的药膏。在高各他山顶的背景中，可以再次看到她跪在十字架上的基督脚下玛丽·马格达伦（Mary Magdalen）全身赤裸，窗帘时尚地裹在身上，具有北方礼仪主义艺术的夸张比例特征。她看起来几乎没有重量，躯干微微向后倾斜，左腿几乎没有碰到地面。她的姿势与Spranger的《抹大拉》画作相呼应，该画作现藏于贝桑松美术馆，但不是直接复制品。
介绍（英）	Goltzius’s elegant engraving of Mary Magdalen is one of his earliest prints to reflect the influence of Bartholomeus Spranger, the court painter to Rudolf II, whose work he was introduced to in 1583. Goltzius depicts several episodes from Magdalen’s life; her interactions with Christ and the moments that led to her becoming a penitent following his death. She is shown half kneeling in a rocky landscape, her hand on a skull, and weeping as she reads from her prayer book. In the foreground is a small but lavishly decorated jar holding the ointment she used to anoint Christ’s feet when he was dining with the Pharisee. In the background atop mount Golgotha, she can be seen again, kneeling at the foot of Christ on the Cross. Partially nude, her drapery wrapped stylishly around her, Mary Magdalen has the exaggerated proportions characteristic of Northern Mannerist art. She appears to be almost weightless, her torso angled slightly back and her left leg barely touching the ground. Her pose echoes a drawing of the Magdalen by Spranger, now in the Musée des Beaux-Arts et Archéologie, Besançon, but is not a direct copy.