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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)一对耳饰中的一件(Prakaravapra Kundala)
品名(英)One from a Pair of Ear Ornaments (Prakaravapra Kundala)
入馆年号1981年,1981.398.3
策展部门亚洲艺术Asian Art
创作者
创作年份公元前 100 - 公元前 1
创作地区
分类珠宝(Jewelry)
尺寸高 1 1/2 英寸 (3.8 厘米); 宽 3 英寸 (7.6 厘米); 长 1 9/16 英寸 (4 厘米) Weight: Under 40 磅. (estimate)
介绍(中)这对精致的金耳环是罕见的。虽然华丽的珠宝装饰着早期石雕和陶制牌匾上的帝王和神圣人物,但真正的珠宝仍然很少存在。人们认为,珠宝没有被保存和重复使用,而是被熔化了,可能是为了避免传递前主人的业力。除了成串成排的珠子外,每个耳环上还装饰着一只长着翅膀的狮子、大象和两个装满植被的花瓶。从后面穿过膨胀的耳垂戴上,狮子面向佩戴者的脸颊,大象在外面

这些耳环在印度艺术史上的地位是确定的,不仅因为它们内在的美丽,还因为它们揭示了该地区早期黄金锻造的卓越品质。早期印度的男性和女性雕像通常都有精心制作的珠宝,有时看起来有些异想天开,因为那个时期几乎没有类似的珠宝幸存下来。这对耳环的发现提供了第一个确凿的证据,证明雕塑家描绘的珠宝实际上是以真实的样品为基础的,因为一对非常相似的耳环出现在公元前一世纪贾加亚佩塔的一位世界统治者Chakravartin的浮雕肖像上

这些耳环,从其材料价值、卓越的工艺以及设计中使用的皇家徽章(带翼的狮子和大象)来看,很可能是作为皇家委托制作的。每个耳环由两个长方形的芽状结构组成,从中央的双茎卷须向外生长。repossé黄金的大象和狮子都非常详细,使用了颗粒、金属丝和薄片的狙击手,以及单独锻造和锤击的黄金块。这两件耳环并不完全相同:在下侧,它们都装饰着一个古典的早期印度设计的花瓶,里面有三个掌叶,但叶子的图案使这两款耳环与众不同。它们又大又重,一定是扩张了耳垂,放在了佩戴者的肩膀上,就像查克拉瓦汀佩戴的那对一样


(一对中的一对;见1981.398.4)
介绍(英)This exquisite pair of gold earrings in rare in having survived. While splendid jewelry adorns the regal and divine figures represented on early stone sculptures and terracotta plaques, few actual ornaments still exist. It is thought that jewelry was not kept and reused but instead was melted down possibly to avoid transmitting the karma of the former owner. In addition to clusters and rows of beads, each earring is decorated with a winged lion, and elephant and two vases filled with vegetation. Put on by slipping through a distended earlobe from the back, they are worn with the lion facing the wearer's cheek and the elephant on the outside.

The place of these earrings in the history of Indian art is assured, not only for their intrinsic beauty, but also because of the light they shed on the superb quality of early gold-smithing in this region. Early Indian statues of both male and female figures were usually portrayed with elaborate jewelry that sometimes seemed fanciful, since very little comparable jewelry from that period survived. The discovery of this pair of earrings provided the first tangible evidence that the jewelry depicted by the sculptors was in fact based on real exemplars, for a very similar pair is shown on a first century B.C. relief portrait of a Universal Ruler, the Chakravartin, from Jaggayapeta.

These earrings, judging from their material worth, the excellence of craftsmanship, and the use of royal emblems (a winged lion and an elephant) as part of their design, were most probably made as royal commissions. Each earring is composed of two rectangular, budlike forms, growing outward from a central, double-stemmed tendril. The elephant and the lion of repoussé gold are consummately detailed, using granules, snipets of wire and sheet, and individually forged and hammered pieces of gold. The two pieces are not exactly identical: On the underside they are both decorated with a classical early Indian design of a vase containing three palmettes, but the patterning of the fronds differentiates the two earrings. They are so large and heavy that they must have distended the earlobes and rested on the shoulders of the wearer, like the pair worn by the Chakravartin.


(One of a pair; see 1981.398.4)
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。