变装面具之书中的面具 - 美国大都会艺术博物馆展品查阅

品名（中）	变装面具之书中的面具
品名（英）	Mask from Libro di Variate Mascare
入馆年号	1949年，49.95.224
策展部门	绘画和印刷品（Drawings and Prints）
创作者	René Boyvin【1525 至 1598】【法国人】
创作年份	公元 1560
创作地区
分类	印刷品（Prints）
尺寸	页: 6 x 5 13/16 英寸 (15.3 x 14.7 厘米)
介绍（中）	1555年，版画家Frans Huys根据雕塑家Cornelis Floris的设计，制作了一套18幅面具版画，由Hans I Liefrinck在安特卫普出版。弗洛里斯怪诞的面具融合了海洋、植物和人类的特征，展现了早期现代人对怪物的迷恋，可能暗指安特卫普的海上贸易。他们的灵感来自古罗马的艺术，以及在法国枫丹白露王宫工作的艺术家开发的艺术词汇。法国的影响最明显地体现在由建筑形式组成的面具上，包括雕塑背带、卡通和扇形壁龛 Floris和Huys在该系列之后很快制作了各种复制品，证明了这种口罩在欧洲的流行。这是一套意大利二十四件套，上面有字母组合IHS。除了弗洛里斯之后的复制品外，这套套装还包括六个原创设计。它很可能被法国版画家勒内·博伊文收购，他以自己的名义出版了这些设计，并附有扉页。博伊文本人以枫丹白露的装饰为灵感，为不断扩大的艺术家和收藏家市场创作了许多版画。
介绍（英）	In 1555, the printmaker Frans Huys made a set of eighteen engravings of masks after designs by the sculptor Cornelis Floris, which were published in Antwerp by Hans I Liefrinck. A delirious amalgam of marine, plant, and human features, Floris’s grotesque masks illustrate the early modern fascination with the monstrous and possibly allude to Antwerp’s sea trade. They were inspired by art from ancient Rome as well as the artistic vocabulary developed by artists working at the French royal palace of Fontainebleau. The French influence is seen most clearly in the mask composed of architectural forms, including sculptural strapwork, cartouches, and scalloped niches. Various copies were soon made after the series by Floris and Huys, demonstrating the popularity of such masks across Europe. This print belongs to an Italian set of twenty-four signed with the monogram IHS. In addition to copies after Floris, the set included six original designs. It was likely acquired by the French printmaker René Boyvin, who published the designs under his own name with a title page. Boyvin himself produced numerous prints inspired by the decorations at Fontainebleau for an expanding market of artists and collectors.