朱庇特和朱诺：“Furti di Giove”挂毯研究 - 美国大都会艺术博物馆展品查阅

品名（中）	朱庇特和朱诺：“Furti di Giove”挂毯研究
品名（英）	Jupiter and Juno: Study for the "Furti di Giove" Tapestries
入馆年号	2011年，2011.36
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Perino del Vaga (Pietro Buonaccorsi)【1501 至 1547】【意大利人】
创作年份	公元 1526 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	页: 17 x 15 3/4 英寸 (43.2 x 40 厘米)
介绍（中）	佩里诺最美丽、最重要的画作之一，这幅罗马众神手牵着手躺在婚床上的不朽画作，是对一套奢华昂贵的挂毯中的一块编织面板的高度研究，现在已经失传，描绘了木星（"Furti di Giove"）的秘密色情冒险。这幅挂毯系列是由热那亚统治者、佩里诺的主要赞助人之一、海军上将安德烈亚·多利亚亲王委托悬挂在他位于市郊新建的宫殿中，作为王子华丽和高雅品味的耀眼展示。这位艺术家设想了这幅充满风情的作品，仿佛从窗户里看到的一样，窗户上有华丽的古典细节装饰的梦幻框架元素。完成度高，没有变化或修订，媒体的丰富组合，以及大尺寸和周围的边界和纹章盾牌，表明这幅画是作为向赞助人展示的作品。佩里诺在罗马拉斐尔的工作室接受训练，他吸收了大师的词汇（沉浸在古典主义中），形成了自己独特的个人优雅风格。这幅成熟的木星和朱诺的画，强调了极端的技巧、装饰的优雅和毫不费力的精致，代表了佩里诺艺术生涯的巅峰。这也证明了他纯粹的技术精湛和奢侈发明的能力（卡门·C·班巴赫）
介绍（英）	One of Perino’s most beautiful and important drawings, this monumental depiction of the Roman gods holding hands as they recline on their marriage bed is a highly finished study for one of the woven panels in a lavish and costly set of tapestries, now lost, depicting the clandestine erotic adventures of Jupiter (the "Furti di Giove"). The tapestry series was commissioned by Admiral-Prince Andrea Doria, ruler of Genoa and one of Perino’s major patrons, to hang in his newly erected palace on the outskirts of the city as a dazzling display of princely magnificence and cultivated taste. The artist envisioned the amorous composition as if seen through a window complete with illusionistic framing elements lavishly decorated with classical detailing. The high degree of finish, lack of changes or revisions, and rich combination of media, as well as the large size and the inclusion of the surrounding borders and heraldic shield, suggest that this drawing was made as a presentation piece to show the patron. Trained in Raphael’s studio in Rome, Perino absorbed the lessons of his master’s vocabulary (steeped in classical antiquity) into his own uniquely personal, elegant Mannerist style. This mature drawing of Jupiter and Juno, with its emphasis on extreme artifice, decorative grace, and effortless refinement, represents something of a culmination in Perino’s artistic career. It also more than proves his sheer technical virtuosity and capacity for extravagant invention. (Carmen C. Bambach)