一个女人做饭，来自“五种女性职业”的盘子3 - 美国大都会艺术博物馆展品查阅

品名（中）	一个女人做饭，来自“五种女性职业”的盘子3
品名（英）	A Woman Cooking, Plate 3 from "Five Feminine Occupations"
入馆年号	1956年，56.550.4
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Geertruydt Roghman【1625 至 1657】【荷兰人】
创作年份	公元 1635 - 公元 1657
创作地区
分类	印刷品（Prints）
尺寸	Plate: 8 1/4 x 6 5/8 英寸 (20.9 x 16.8 厘米) 页: 11 7/16 x 8 1/4 英寸 (29 x 21 厘米)
介绍（中）	Roghman来自阿姆斯特丹的一个艺术家家庭，以一些生殖版画和她最初的五幅版画《家庭任务》而闻名：缝纫、纺纱、阅读（？）、烹饪（如图所示）和清洁炊具。设置在厨房里的两个主题不同寻常，因为可以从后面看到孤独的女佣。每一幅版画都展现了对家庭工作的清醒看法，但厨房的场景非常引人注目，因为人物完全缺乏个性，更不用说吸引力了。在将Roghman的家庭仆人形象与Dou和Vermeer的形象进行比较时，很容易区分男性和女性的观点（正如一些评论家所强调的那样）。无论是什么解释，重要的是要记住，Roghman的版画是为广阔的艺术市场而设计的，而Dou著名的昂贵画作（与之后的版画相反）和Vermeer的《Milkmaid》都是为个人收藏家而设计的。
介绍（英）	Roghman, from an Amsterdam family of artists, is known for some reproductive prints and her original suite of five engravings, "Household Tasks": sewing, spinning, reading (?), cooking (illustrated here), and cleaning cookware. The two subjects set in kitchens are unusual in that the solitary maids are seen from behind. Each print presents a sober view of domestic work, but the kitchen scenes are remarkable for the figures' complete lack of individuality, to say nothing of appeal. In comparing Roghman's images of household servants with those of Dou and Vermeer, it is tempting to distinguish male and female points of view (as some critics have rather emphatically). Whatever the interpretation, it is important to bear in mind that Roghman's prints were intended for a broad art market, whereas Dou's famously expensive paintings (as opposed to the later prints after them) and The Milkmaid by Vermeer were made with individual collectors in mind.