水环绕的树木群，左侧的小屋，右侧的妇女坐在前台 - 美国大都会艺术博物馆展品查阅

品名（中）	水环绕的树木群，左侧的小屋，右侧的妇女坐在前台
品名（英）	Landscape with Group of Trees Surrounded by Water, Cottage at Left, Woman Seated Right Foreground
入馆年号	1928年，28.15.1(7)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Richard Cooper II【1735 至 1814】【英国、苏格兰人】
创作年份	公元 1802 - 公元 1806
创作地区
分类	印刷品（Prints）
尺寸	页: 9 1/4 x 13 英寸 (23.5 x 33 厘米)
介绍（中）	"多篇小说标本"包含英国出版的第一批石版画。这个过程是由阿洛伊斯·塞内费尔德（Alois Senefelder）发明的，他是一位慕尼黑剧作家，后来成为印刷商，寻求一种廉价的方法来复制文本和音乐。1796年，他尝试用石块进行浮雕印刷，然后在1798年发现，用油腻的墨水或蜡笔在石灰石上制作的标记可以通过纯化学手段印刷。表面用阿拉伯胶和硝酸处理后，撒上树脂和滑石粉，最后用水润湿，油性印刷油墨会粘附在涂抹的痕迹上，但不会粘附在石材上。Senefelder于1800年访问伦敦，为他的革命性工艺获得英国专利，并于1801年将后者的权利出售给美因河畔奥芬巴赫的乐谱印刷商约翰·安东·安德烈（Johann Anton André）。约翰的兄弟菲利普（Philipp）住在伦敦，他被招募来建立一家印刷机并开发该方法的艺术潜力。感兴趣的当地艺术家获得了材料，菲利普与詹姆斯·希思（James Heath）合作，于1803年印刷并出版了十二本"多亲笔画"。两年后，G. J. Vollweiller 从德国来到这里接管专利和印刷机，并在 1806-7 年将石版画的核心组扩大到 36 个。库珀的《风景》于1803年首次出版，但黄色的挂载将这个例子标识为Vollweiler再版的一部分。
介绍（英）	"Specimens of Polyautography" contains the first lithographs published in Britain. The process was invented by Alois Senefelder, a Munich dramatist turned printer seeking an inexpensive means to reproduce texts and music. In 1796 he experimented with relief printing from stone blocks, then discovered in 1798 that marks made on limestone with greasy inks or crayons could be printed by purely chemical means. After the surface is treated with gum arabic and nitric acid, dusted with resin and talc, and finally moistened with water, oily printing ink will adhere to the applied marks but not the stone. Senefelder visited London in 1800 to obtain British patents for his revolutionary process, selling the latter rights on in 1801 to Johann Anton André, a printer of musical scores from Offenbach am Main. Johann's brother Philipp, who lived on in London, was enlisted to set up a press and develop the method's artistic potential. Interested local artists were supplied with materials and Philipp teamed with James Heath to print and publish sets of twelve "polyautographs" in 1803. Two years later, G. J. Vollweiller arrived from Germany to take over the patent and press, and expanded the core group of lithographs to thirty-six in 1806–7. Cooper's "Landscape" was first published in 1803, but the yellow mount identifies this example as part of Vollweiler's reissue.