基督是两个天使之间的悲哀之人 - 美国大都会艺术博物馆展品查阅

品名（中）	基督是两个天使之间的悲哀之人
品名（英）	Christ as the Man of Sorrows Between Two Angels
入馆年号	1951年，51.555
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Israhel van Meckenem【1435 至 1503】【德国人】
创作年份	公元 1495 - 公元 1505
创作地区
分类	印刷品（Prints）
尺寸	页: 10 5/8 × 7 5/16 英寸 (27 × 18.5 厘米)
介绍（中）	作为最早在作品上署名的北方版画家之一，伊斯拉赫尔·范·梅凯内姆敏锐地意识到版画市场的特殊性。他经常制作既熟悉又流行的图像，同时又具有创新性。这件雕刻品的日期约为1500年，是范·梅凯内姆最具技术成就的作品。基督作为两个天使之间的悲伤之人也很有创意，因为它描绘了一个虚构的时刻，结合了基督受难的几个片段。基督被描绘成一个悲伤的人，从他的石棺中带着他的污名站起来；但他位于哥特式室内，可能是一个教堂空间，三扇窗户象征着三位一体。重点不在于叙事的历史准确性，而在于主人公的身体和情感痛苦。铭文取自以赛亚书33:7，上面写着："和平的天使痛哭。"其中一位天使哭泣，另一位天使抚摸着自己的胸膛，向观看者展示了看到基督被折磨的身体时的恰当反应。
介绍（英）	As one of the earliest Northern printmakers to sign his name to his works, Israhel van Meckenem was acutely aware of the peculiarities of a market for prints. He often made images that were at once familiar or popular and, at the same time, innovative. Dated about 1500, this engraving is van Meckenem's most technically accomplished. Christ as the Man of Sorrows Between Two Angels is also inventive in that it portrays a fictitious moment that combines several episodes from Christ's Passion. Christ is shown as the Man of Sorrows rising from his stone coffin with his stigmata; but he is set within a Gothic interior, probably an ecclesiastical space, with its three windows signifying the Trinity. The emphasis is not on the historical accuracy of the narrative, but on the physical and emotional suffering of its protagonists. The inscription, taken from Isaiah 33:7, reads: "The angels of peace weep bitterly." The angels-one of whom cries, while the other touches his chest-demonstrate to the beholder the appropriate reaction to seeing the tortured body of Christ.