与羔羊站在一起的施洗者圣约翰 - 美国大都会艺术博物馆展品查阅

品名（中）	与羔羊站在一起的施洗者圣约翰
品名（英）	Standing Saint John the Baptist with The Lamb
入馆年号	2008年，2008.541
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Girolamo Macchietti【1535 至 1592】【意大利人】
创作年份	公元 1570 - 公元 1581
创作地区
分类	图画（Drawings）
尺寸	页: 11 5/16 x 4 7/8 英寸 (28.7 x 12.4 厘米)
介绍（中）	吉罗拉莫·马基埃蒂（Girolamo Macchietti）是真人模特之后研究的支持者，他是十六世纪第三季度佛罗伦萨绘画改革运动的一部分。他的大部分平面作品都由人物画组成。这幅精美的色调图画采用"红底红字技术"（纸洗赭石上的红色粉笔），这是艺术家的典型特征，描绘了施洗者圣约翰，他经常在左边脚下使用Agnus Dei（上帝的羔羊）。毫无疑问，这个人物是基于一位在车间里摆姿势的年轻男助手，就像最后一幅画一样，他的脸和解剖结构看起来更老，更禁欲。这幅画是对佛罗伦萨省蓬托尔姆（恩波利附近）圣米歇尔教堂马奇埃蒂圣礼会幕右侧人物的最后研究。这张纸是方形的，以便按比例放大到最终的绘画表面，然后为现在巴黎卢浮宫博物馆的施洗者圣约翰的同一人物执行另一幅图纸（inv. 1283）。会幕项目可以追溯到 1575-76 年，即马奇埃蒂在法国逗留十五个月之后的时期。（卡门·班巴赫）
介绍（英）	A proponent of study after the live model, Girolamo Macchietti formed part of the reform movement in Florentine painting during the third quarter of the sixteenth century; most of his graphic production consists of figure drawings. This exquisitely tonal drawing in a "red-on-red technique" (red chalk on paper-washed ochre), which is typical for the artist, depicts Saint John the Baptist with his frequent attribute of the Agnus Dei (Lamb of God) at his feet at left. The figure was, without doubt, based on a young male assistant posing in the workshop, and, as in the final painting, his face and anatomy were made to look older and more ascetic. This drawing was a final study for the figure at right in Macchietti's Tabernacle of the Sacrament in the church of San Michele at Pontorme (near Empoli) in the province of Florence. The sheet is squared for proportional enlargement to the final painting surface, and follows the execution of another drawing for the same figure of Saint John the Baptist now the Musée du Louvre, Paris (inv. 1283). The tabernacle project dates to 1575-76, the period following Macchietti's fifteen-month sojourn in France. (Carmen C. Bambach)