Minerva Medica神庙（Liber Studiorum，第五部分，图版23） - 美国大都会艺术博物馆展品查阅

品名（中）	Minerva Medica神庙（Liber Studiorum，第五部分，图版23）
品名（英）	The Temple of Minerva Medica (Liber Studiorum, part V, plate 23)
入馆年号	1928年，28.97.23
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Joseph Mallord William Turner【1775 至 1851】【英国人】
创作年份	公元 1811
创作地区
分类	印刷品（Prints）
尺寸	plate: 7 3/16 x 10 1/2 英寸 (18.3 x 26.7 厘米) 页: 8 1/4 x 23 英寸 (21 x 58.4 厘米)
介绍（中）	特纳在1807年至1819年间出版的《研究之书》（拉丁语为Book of Studies）中提炼了他对风景的看法，该书共有70幅版画和一幅正面作品。为了确定构图，他绘制了棕色水彩画，然后在铜板上蚀刻轮廓。专业雕刻师通常在特纳的指导下开发色调，Dunkerton在这里添加了mezzotint，以详细描述远处有一个被毁的仙女院的罗马campagna的景色。特纳没有发表标题，但在笔记中称这张照片为"Minerva Medica"。一个跪在树下的东方人物的有趣存在导致后来的学者将这幅版画称为"Hindoo崇拜者"和"Hindoo-Devotions"。上边缘的字母"EP"可能代表高架田园，特纳将其应用于场景中的风景，呼应了克劳德的阿卡迪亚式情感。
介绍（英）	Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkrton here added mezzotint to detail a vista redolant of the Roman campagna with a ruined nymphaeum in the distance. Turner did not publish a title, but referred to the image as "Minerva Medica" in his notes. The intriguing presence of an oriental figure kneeling under the trees led later scholars to call the print "Hindoo Worshipper," and "Hindoo Devotions." The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.