鼓面板描绘了一座佛塔，佛塔是从Traystramssa天堂降下来的 - 美国大都会艺术博物馆展品查阅

品名（中）	鼓面板描绘了一座佛塔，佛塔是从Traystramssa天堂降下来的
品名（英）	Drum panel depicting a stupa with the Buddha Descent from Trayastrimsa Heaven
入馆年号	1928年，28.31
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 250 - 公元 299
创作地区
分类	雕塑（Sculpture）
尺寸	高 48 英寸 (121.9 厘米); 宽 29 3/4 英寸 (75.6 厘米); 深 6 3/4 英寸 (17.1 厘米); Est. 重 723.3 磅 (328.1 kg)
介绍（中）	这尊佛像以"万能统治者"（chakravartin）的经典姿势站立。他强大的理想化体格体现了他作为人类精神领袖的地位。早期佛像的普遍姿态是举手向奉献者伸出保护之手（abhayamudra），这就是这尊佛在其完整状态下会做的事情这座雕塑是圆形的，僧袍上深深的凹槽完全延伸到后面。长袍背面下摆上的"哥特式褶皱"是一个特别令人愉悦和意想不到的细节，因为这些图像通常安装在盲龛中。这座雕塑的完整性表明，它是一座被青睐于安装在阿普西达尔神殿中的雕塑，在那里，僧侣和修女可以环绕着独立的图像正是长袍有节奏的下落和褶皱的"重量"赋予了这个人物如此优雅和优雅。一种奇妙的自然主义手法是雕塑家如何让佛像的强大体格显现出来，消除了长袍拉紧在佛像左肩上的褶皱。
介绍（英）	This figure of the Buddha stands in the classic pose of the “universal ruler” (chakravartin) figure-type. His powerful idealized physique exemplifies his status as a spiritual leader amongst men. The universal gesture of early Buddha imagery is that of the raised hand extending protection to devotees (abhayamudra), which is what this Buddha would have done in its complete state. The sculpture is worked in-the-round, with the deeply cut fluting of the monastic robes extending fully behind. The ‘Gothic folds’ on the robe’s hem on the back are a particularly pleasing and unexpected detail given that such images were often installed in blind niches. The fully worked nature of this sculpture suggests that it was one favored for installation in an apsidal shrine where monks and nuns could have circumambulated the freestanding image. It is the rhythmic fall of the robe and the ‘weight’ of the folds which give to this figure such grace and elegance. A wonderfully naturalistic touch is how the sculptor has allowed the powerful physique of the Buddha to emerge, dispelling the folds where the robe is drawn taut over the Buddha’s left shoulder.