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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)伯萨沙王的宴会
品名(英)Belshazzar's Feast
入馆年号1951年,51.501.6341
策展部门绘画和印刷品Drawings and Prints
创作者Jan Muller【1571 至 1628】【荷兰人】
创作年份公元 1593 - 公元 1603
创作地区
分类印刷品(Prints)
尺寸页: 13 7/8 × 15 9/16 英寸 (35.3 × 39.5 厘米)
介绍(中)伯沙撒盛宴的故事来自《但以理书》第五章,描述了巴比伦国王尼布甲尼撒举办的奢华宴会。主人和客人一边用从耶路撒冷旧神庙中救出的圣盘和圣器吃饭和喝水,一边进行猥亵的交谈,亵渎上帝,从而污染了它们。突然,一只没有实体的手出现了,并在墙上写下了一句神秘的话:"MANE THETEL PHARES。"他们对这一事件感到震惊,于是派人去请先知但以理解读这些话的含义。他解释说,他们的字面意思是上帝权衡了伯沙撒的行为,发现它是不可取的,因此他的王国将被摧毁。当晚晚些时候,国王被杀,麦德人大流士成为巴比伦的统治者。图片下方的拉丁诗句警告观众不要有类似的亵渎和罪恶行为


在印刷品中,Belshazzar背对观众坐着,凝视着门上方刚刚出现文字的墙壁。他在半个阴影中,只有他的肩膀和伸出的手被完全照亮。桌子上方是一个引人注目的吊灯,上面有四支燃烧的蜡烛和四尊手持点燃的火炬的裸体仙女雕像。在右边的前景中,一只放在盘子里的精心制作的大母羊,无疑是从耶路撒冷圣殿中拿走的珍宝之一,也在灯光下闪闪发光


介绍(英)The story of Belshazzar’s Feast is from the Book of Daniel, chapter 5 and describes a lavish banquet given by the Babylonian king, Nebuchadnezzar. The host and guests converse lewdly and blaspheme God, all while eating and drinking from sacred plates and vessels rescued from the Old Temple in Jerusalem, and thus polluting them. Suddenly a disembodied hand appears and writes a mysterious phrase on the wall: ‘MANE THETEL PHARES.’ Shocked by the event, they send for the prophet Daniel to decipher the meaning of the words. He explains that they literally mean that God weighed Belshazzar’s behavior and found it wanting, and that therefore his kingdom was to be destroyed. Later that night the king is murdered, and Darius the Mede becomes ruler of Babylon. The Latin verses below the image warn the viewer against similar blasphemy and sinful behavior.


In the print Belshazzar sits with his back to the viewer, staring at the wall where the writing has just appeared above the door. He is in half shadow and only his shoulder and outstretched hand are fully illuminated. Above the table is a remarkable chandelier with four burning candles and four statues of naked nymphs holding lighted torches. In the foreground to the right, a large, elaborate ewer on a plate, no doubt one of the treasures taken from the Temple in Jerusalem, also gleams in the light.


Jan Muller was one of the most sought-after Mannerist printmakers, engraving compositions of the leading artists of the late sixteenth and early seventeenth centuries. In the mid- to late 1590s and early 1600s, he made a handful of spectacular night scenes, including the Last Supper after Gillis Coignet (2018.839.109), the Dead Christ Lamented by an Angel after Jacopo Ligozzi (61.658.11), The Raising of Lazarus after Abraham Bloemart (49.95.578) and two original designs by Muller, the Adoration of the Magi (51.501.6340 and 67.810.2) and the present work. Instead of the flamboyant engraving technique he used in his prints after the Dutch Mannerists and artists from the court of Prague, these prints are characterized by longer, finer lines and extremely close cross-hatching to create the dense blackness from which the highlights can shine. Wider spaced hatching and cross-hatching provide the middle tones.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。