三个醉心的女人 - 美国大都会艺术博物馆展品查阅

品名（中）	三个醉心的女人
品名（英）	Three Intoxicated Courtesans
入馆年号	1936年，JP2740
策展部门	亚洲艺术（Asian Art）
创作者	Kitagawa Utamaro【1754 至 1806】【日本人】
创作年份	公元 1790 - 公元 1799
创作地区
分类	印刷品（Prints）
尺寸	Each 高 12 7/8 英寸 (32.7 厘米); 宽 8 1/2 英寸 (21.6 厘米)
介绍（中）	乌塔马洛使用剪影来渲染绿房子及其居民的巨大长度，这无疑是大胆的。三组妓女站在阳台上，庭院里盛开的樱花树的顶部在他们身后清晰可见。庭院中随处可见的剪影强化了这些游乐场所几乎幽闭的隐私缺失。乌塔马罗的铭文描述了人们醉酒后的各种反应。它们从右到左依次是：愤怒、哭泣和大笑这幅戏剧性的三联画为乌塔马罗展现了一种不同寻常的柔和色调。他的调色板如此有限，以至于这位艺术家将未印刷纸张的颜色作为妓女长袍设计的一部分。18世纪末，大的欧班格式开始流行，取代了Harunobu等艺术家青睐的较小的丘班格式。乌塔马罗使用剪影来渲染绿房子及其居民的巨大长度，这无疑是大胆的。三组妓女站在阳台上，庭院里盛开的樱花树的顶部在他们身后清晰可见。庭院中随处可见的剪影强化了这些游乐场所几乎幽闭的隐私缺失。印刷品是一个关于酒精危险的幽默道德故事。乌塔马罗的铭文描述了人们醉酒后的各种反应。从左到右依次是：笑、哭和愤怒。散落在地上的茶杯和这些女性异常活跃的表情进一步证明了饮酒的危害。Courtesans被认为是展现智慧、优雅和优雅的文明女性的典范。这一场景与理想的不和谐只会增加它的智慧，并肯定乌塔马罗富有想象力的方法。
介绍（英）	Utamaro's use of silhouette to render the enormous length of the Green House and its inhabitants is unquestionably bold. Three groups of courtesans stand on a balcony, and the tops of the blossoming cherry trees in the courtyard are visible behind them. The silhouettes visible across the courtyard reinforce the almost claustrophobic lack of privacy afforded by these pleasure houses. Utamaro's inscriptions describe the various reactions people have when intoxicated. They are, from right to left: anger, crying, and laughter. This dramatic triptych displays an unusually subdued color palette for Utamaro. So limited is his palette that the artist utilizes the color of the unprinted paper as part of the design on the courtesans' robes. The large oban format became popular at the end of the eighteenth century, replacing the smaller chuban format favored by such artists as Harunobu. Utamaro's use of silhouette to render the enormouse length of the Green House and its inhabitants is unquestionably bold. Three groups of courtesans stand on a balcony, and the tops of the blossoming cherry trees in the courtyard are visible behind them. The silhouettes visible across the courtyard reinforce the almost claustrophobic lack of privacy afforded by these pleasure houses. The print is a humorous morality tale of the dangers of alchohol. Utamaro's inscriptions describe the various reactions people have when intoxicated. The are, from left to right: laughter, crying, and anger. Teacups strewn on the ground and the women's unusually animated expressions are further testimony to the hazards of drink. Courtesans were expected to be the very model of civilized women displaying intelligence, refinement, and grace. The inconsonance of this scene with the ideal only adds to its wit and affirms Utamaro's imaginative approach.