面向左侧的站立男性形象的悬垂性研究 - 美国大都会艺术博物馆展品查阅

品名（中）	面向左侧的站立男性形象的悬垂性研究
品名（英）	Drapery Study for a Standing Male Figure in Profile Facing Left
入馆年号	2006年，2006.393.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)【1473 至 1517】【意大利人】
创作年份	公元 1512 - 公元 1517
创作地区
分类	图画（Drawings）
尺寸	页: 11 x 5 15/16 英寸 (28 x 15.1 厘米)
介绍（中）	这项为一个穿着厚重披风的站立男性形象进行的帷幔研究采用独特的绘画技术 - 以柔软，非常颗粒的黑色粉笔为特色，带有白色粉笔亮点 - 与Fra Bartolommeo及其在佛罗伦萨的工作室密切相关。与帷幔的完成渲染形成鲜明对比的是，该人物的解剖特征在形式上很尴尬，但这可以通过以下事实来解释：该研究与这位艺术家的其他许多研究一样，很可能是从穿着真布铸造帷幔的人体模特中提取的（Fra Bartolommeo的工作室和财产清单中提到了两个木制的外行人物， 1517年他去世后不久起草）。在这里，人体模型的线索是奇怪的球形头部和哈巴狗鼻子，以及结块的手和大脚。这张纸是由一位早期收藏家在左下角的 del frate（由修道士）刻下的，这是对弗拉·巴托洛梅奥的典型参考，他在佛罗伦萨圣马可修道院以多米尼加秩序宣誓。
介绍（英）	This drapery study for a standing male figure wearing a voluminous mantle was executed in a distinctive drawing technique-featuring soft, very granular black chalk with white chalk highlights-that is closely associated with Fra Bartolommeo and his workshop in Florence. The anatomical features of the figure are awkward in form, in contrast to the accomplished rendering of the draperies, but this is explained by the fact that the study, like a number of others by this artist, were in all probability drawn from a mannequin wearing cast draperies of real cloth (two wooden lay figures are mentioned in the inventory of Fra Bartolommeo's studio and possessions, drafted soon after his death in 1517). Here, the telltale clues of the mannequin are the curiously spherical head and pug-nose, along with the clumpy hands and large feet. The sheet was inscribed by an early collector at lower left del frate (by the friar), a typical reference to Fra Bartolommeo, who took vows in the Dominican order at the convent of San Marco, Florence.