访问 - 美国大都会艺术博物馆展品查阅

品名（中）	访问
品名（英）	Visiting
入馆年号	1911年，JP671
策展部门	亚洲艺术（Asian Art）
创作者	Suzuki Harunobu【1725 至 1770】【日本人】
创作年份	公元 1759 - 公元 1779
创作地区
分类	印刷品（Prints）
尺寸	25 31/32 x 4 1/4 英寸 (66.0 x 10.8 厘米)
介绍（中）	十二世纪的女性文学批评书籍《无题之书》（The Untitled Book）称传说中的小町是一位无与伦比的爱情诗人："尽管有很多人对爱情着迷，但小野野小町，从她的外表、美貌、举止和个性开始，在各个方面，她都被认为是（热情的女诗人）的缩影。"小町的传说激发了大众的想象力，激发了许多代人的故事（kajinsetsuwa）和能人戏剧的灵感。14世纪，一系列关于小町和她注定要失败的情人Fukakusa的七部戏剧被创作成了Kanze剧目的一部分。七部戏剧中的一部《小町加伊》是Kan'ami（1333-1384）的能人戏剧，由他的儿子Zeami（1363-1443）修订这些戏剧被改编成江户的歌谣、木偶剧以及歌舞伎舞台。除了在戏剧环境中很受欢迎之外，小町还是版画的自然主题：居住在浮世绘世界的美丽的文学妓女很容易扮演一个经典的角色年轻女性身后的noren窗帘上的鸟图案暗指了广场上的小町诗中的意象：赤木no 志木no hane kaki momo ha kaki kimi ga konu yo waga zo kazu kazu 激动的就像狙击手的翅膀在黎明时，不断拍打，就在你不来的夜晚，无休止地拍打。
介绍（英）	The twelfth-century Mumyōzōshi (The Untitled Book), a book of literary criticism written by women, pronounced the legendary Komachi a love poet unequaled: "Although there have been many enamored of love who wrote poems, Ono no Komachi, beginning with her appearance, her good looks, manners, and personality, in every way she is considered the epitome (of the passionate woman poet)." The Komachi legend sparked the popular imagination and inspired tales (kajin setsuwa) and Noh plays for many generations. In the fourteenth century a series of seven plays about Komachi and her doomed lover Fukakusa were created as a part of the Kanze repertory. One of the seven, Kayoi Komachi, is a Noh play by Kan'ami (1333–1384) revised by his son, Zeami (1363–1443). The plays were adapted to Edo jorūri ballads and puppet theater as well as to the Kabuki stage. Besides being popular in theatrical settings, Komachi was a natural subject for prints: a classic persona easily assumed by the beautiful, literary courtesans inhabiting the ukiyo-e world. The bird design in the noren curtains behind the young women alludes to the imagery in the Komachi poem in the square cartouche: Akatsuki no shigi no hane kaki momo ha kaki kimi ga konu yo w waga zo kazu kazu Agitated like the wings of the snipe at dawn, beating and beating, on the night you do not come, endlessly beating.