两辆马车的场景 - 美国大都会艺术博物馆展品查阅

品名（中）	两辆马车的场景
品名（英）	La scène des deux carrosses
入馆年号	2006年，2006.93
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Claude Gillot【1673 至 1722】【法国人】
创作年份	公元 1707 - 公元 1721
创作地区
分类	图画（Drawings）
尺寸	页: 6 1/4 x 8 3/8 英寸 (15.9 x 21.3 厘米)
介绍（中）	克劳德·吉洛特主要是一名平面艺术家，擅长讽刺和异想天开的场景，经常使用戏剧人物或萨蒂尔作为主角。通常，他的角色既体现了赋予场景幽默感的基本人类本能，也体现了将他们置于诙谐的洛可可消遣领域的优雅、舞蹈般的举止。吉洛特的思想被传递给了他最著名的学生安托万·瓦托，他的作品将吉洛特作品的幻想和戏剧灵感带入了法国艺术的主流。艺术大众的不敬为吉洛特提供了许多最难忘的主题。这幅画与他最著名的画作《巴黎卢浮宫》有关。它的灵感直接来自1695年首次演出的三幕喜剧《圣日耳曼之火》的一个小品。当车厢在一条狭窄的小巷里相遇时，两名出租车司机和他们的乘客（漫画人物Arlequin和Scaramuche，都穿着女装）之间爆发了争吵，两人都拒绝后退，让另一人通过。当一名路过的法官试图调解冲突，但却成为集体愤怒的焦点，并被赶下台时，这幅素描结束了。
介绍（英）	Primarily a graphic artist, Claude Gillot specialized in scenes of satire and whimsy, often using theatrical figures or satyrs as protagonists. Typically, his characters embody both the base human instincts that lend the scenes their humor and the elegant, dancelike comportment that situates them in the realm of witty Rococo divertissements. Gillot's ideas were transmitted to his most famous student, Antoine Watteau, whose fêtes galantes brought the fantasy and theatrical inspiration of Gillot's work into the mainstream of French art. The irreverence of the commedia dell'arte provided many of Gillot's most memorable subjects. This drawing relates to his best-known painting, Les deux carrosses (Musée du Louvre, Paris). It was directly inspired by a short sketch appended to a three-act comedy, Foire Saint Germain, which was first performed in 1695. An altercation breaks out between two cabmen and their passengers (commedia dell'arte characters Arlequin and Scaramouche, both dressed in women's clothing) when the carriages meet in a narrow alley and each refuses to back up and let the other pass. The sketch concludes when a passing judge attempts to mediate the conflict but instead becomes the focus of the collective ire and is chased offstage.