微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)暴风雨之夜,一艘船在岸边失事,幸存者正在打捞他们的货物
品名(英)A Ship Wrecked on a Shore on a Stormy Night, with Survivors Salvaging Their Goods
入馆年号2005年,2005.68
策展部门绘画和印刷品Drawings and Prints
创作者Ludolf Backhuysen【1630 至 1708】【荷兰人】
创作年份公元 1690 - 公元 1708
创作地区
分类图画(Drawings)
尺寸页: 10 1/16 x 13 7/16 英寸 (25.5 x 34.2 厘米)
介绍(中)这幅完成得很好的画描绘了一个戏剧性的场景。一艘商船在暴风雨天气中在北海海岸搁浅。最高的桅杆被风吹倒了,剩下的船帆在疯狂地摆动。他们的动作与站在左边前景高处的男子的斗篷相呼应。人们前来营救水手和他们的货物。海滩上戏剧性的灯光和中间高地上的巨浪加强了不祥的主题,与暴风雨般的天空和浓密渲染的前景形成对比

这幅复杂的作品可以追溯到Ludolf Backhuysen职业生涯的最后几年;在这个时期,他的作品的特点是偏爱浪漫的场景,充满戏剧性和悬念

A阿姆斯特丹国立博物馆的初步草图表明,在其准备阶段,Backhuysen就已经考虑到了强烈的明暗对比和前景中的再现;构图装置有助于吸引观看者对海岸线上悲剧的注意。[1]在这里描绘的最终版本中,艺术家通过在前景中添加指向沉船的人物来强化这些效果

Bakhuysen擅长精细的洗涤,通过洗涤,他能够获得各种各样的色调,非常适合创造虚幻的光效果。例如,请注意左背景中湿沙中手推车车轮和人物的反射,或破碎波浪上的泡沫

像这样一幅完成度很高的画作被视为一件独立的艺术品,面向巴胡森画作的狂热收藏家

[1]阿姆斯特丹国立博物馆,编号RP-T1968-47(R)。参见G.de Beer,Ludolf Bakchuysen(1630–1708)。Sein Leben und Werk,Zwolle:Waanders Uitgevers,2002年,目录,编号Z 41,图213。
介绍(英)This highly finished drawing depicts a dramatic scene. A merchant ship has run aground on the North-Sea shores in tempestuous weather. The top mast has given way to the forces of the wind and the remaining sails are fluttering wildly. Their movement is echoed by the mantle of the man, standing on an elevation to the left foreground. People are coming to the rescue of both the sailors and their wares. The ominous subject matter is reinforced by the dramatic lighting of the beach and high waves in the middle ground, which are contrasted by the stormy skies and the densely rendered foreground.

This intricate composition dates from the last years of Ludolf Backhuysen’s career; a time at which his works are characterized by a predilection for romantic scenes, full of drama and suspense.

A preliminary sketch in the Rijksmuseum in Amsterdam shows that already in its preparatory phase, Backhuysen had in mind the strong chiaroscuro contrasts and the repoussoir in the foreground; compositional devices help draw the beholder’s attention to the tragedy on the shoreline.[1] In its final version, depicted here, the artist reinforced these effects by adding figures in the foreground that point towards the shipwreck.

Bakhuysen excelled in the subtle application of washes, through which he was able to obtain a great variety of tones, perfect for creating illusionary light effects. Note for example the reflections of the cart wheels and figures in the wet sand in the left background, or the froth on the breaking waves.

A highly finished drawing like this was regarded an independent artwork, and was intended for an audience of avid collectors of Bakhuysen’s pictures.

[1] Rijksmuseum, Amsterdam, inv. no. RP-T-1968-47(R). Cf. G. de Beer, Ludolf Bakchuysen (1630–1708). Sein Leben und Werk, Zwolle: Waanders Uitgevers, 2002, cat, no. Z 41, fig. 213.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。