克罗泽人 - 美国大都会艺术博物馆展品查阅

品名（中）	克罗泽人
品名（英）	The Crozier
入馆年号	1940年，40.8.6
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Martin Schongauer【1435 至 1491】【德国人】
创作年份	公元 1470 - 公元 1491
创作地区
分类	印刷品（Prints）
尺寸	Mat: 19 3/16 x 14 3/16 英寸 (48.8 x 36.1 厘米) 页: 11 3/16 x 4 7/16 英寸 (28.4 x 11.3 厘米)
介绍（中）	Martin Schongauer受过画家的训练，但他的版画无疑是他对艺术史最重要的贡献。他的作品大部分集中在宗教主题上，但他也创作了流派场景、动物肖像、纹章，以及不时的装饰和设计。Crozier（主教杖）和The Censer代表了他在后一类中的两部杰作。Schongauer的父亲和他的一个兄弟都是活跃的金匠，而他的二哥是一名白银经销商。尚不清楚Schongauer本人在多大程度上接受过这一职业的培训。因此，有人认为，这些设计主要是作为从事教会主题工作的画家的模型，而不是金匠的模型。然而，没有真正的理由相信这些设计不可能也在贵金属中执行。1480年代，德国创作了克罗齐尔之后的一个近景复制品。大约在本世纪之交，一位活跃在荷兰的金匠创作了一个与绍格版画密切相关的香炉。
介绍（英）	Martin Schongauer was trained as a painter, but his engravings are undoubtedly his most important contribution to the history of art. The larger part of his oeuvre focuses on religious subjects, but he also produced genre scenes, animal portraits, heraldry, and, from time to time, ornament and design. The Crozier (bishop’s staff) and The Censer represent two of his masterpieces in the latter category. Schongauer’s father and one of his brothers were active as goldsmiths, while a second brother was a dealer in silver. It remains unclear to which extent Schongauer himself was trained in this profession. Consequently, it has been suggested that these designs were meant primarily as models for painters working with ecclesiastical subjects, rather than as models for goldsmiths. There is, however, no real reason to believe that these designs could not also have been executed in precious metals. A close copy after the Crozier was created in Germany in the 1480s, and around the turn of the century, a goldsmith active in the Netherlands created a censer that closely relates to Schongauer's print.