景观 - 美国大都会艺术博物馆展品查阅

品名（中）	景观
品名（英）	Landscapes
入馆年号	1987年，1987.408.2a–n
策展部门	亚洲艺术（Asian Art）
创作者	Zhang Feng【1618 至 1662】【中国人】
创作年份	公元 1644
创作地区
分类	绘画（Paintings）
尺寸	Each leaf: 6 1/16 x 9 英寸 (15.4 x 22.9 厘米)
介绍（中）	1644 年 4 月，北京被土匪叛军李自成攻陷后，南京在明朝保皇政权和进攻的满清军队之间经历了混乱的一年战争。这本相册绘制于 1644 年 8 月，当时明朝正在崩溃。在创作这些隐士世界的田园诗般的形象时，张峰转向了倪赞（1306-1374）的苍白干巴巴的风格，但张的轻盈触感为倪的风格增添了新的抒情魅力。张对语言有着浓厚的兴趣，以新鲜而富有洞察力的方式探索视觉和诗意意象的表达相互作用：一片叶子描述了松树的潺潺声和水流过岩石的声音;另一个唤起了扔进荒芜山谷的石头的回声;第三个以日落为特色，这是一个学者艺术家很少描绘的主题，但对张艺谋来说可能具有深刻的象征意义。满清征服后，他仍然忠于明朝，并拒绝在新政权下担任官方职务，在贫困中结束了他的生活。
介绍（英）	Following the fall of Beijing to the bandit-rebel Li Zicheng in April 1644, Nanjing suffered a chaotic year of warfare between a Ming loyalist regime and the attacking Manchu forces. This album was painted in August 1644 as the Ming dynasty was crumbling. In creating these idyllic images of the world of the recluse, Zhang Feng turned to the pale dry style of Ni Zan (1306–1374), but the gossamer lightness of Zhang's touch adds a new lyrical charm to Ni's style. Keenly interested in language, Zhang explores the expressive interplay of visual and poetic imagery in fresh and insightful ways: one leaf describes the murmur of pines and the sound of water running over rocks; another evokes the echoes of a stone tossed into a deserted valley; a third features a sunset, a subject rarely depicted by scholar-artists but one that may have held deep symbolic meaning for Zhang. He remained loyal to the Ming dynasty after the Manchu conquest and, refusing to take an official position under the new regime, ended his life in poverty.