带裂缝的墙立面设计 - 美国大都会艺术博物馆展品查阅

品名（中）	带裂缝的墙立面设计
品名（英）	Design for a Wall Elevation with Grotesques
入馆年号	1968年，68.751
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, second half of the 16th century【1550 至 1600】【意大利人】
创作年份	公元 1540 - 公元 1570
创作地区
分类	图画（Drawings）
尺寸	15 5/16 x 10 9/16 英寸 (38.9 x 26.9 厘米)
介绍（中）	彩绘墙壁和天花板装饰是意大利16世纪室内装饰的重要组成部分。它们鲜艳的色彩往往对房间的气氛产生决定性的影响。这一设计展示了两根柱子之间的壁龛的装饰，壁龛由一个所谓的怪诞烛台填满，烛台的分支上有男性和女性的satyr。在15世纪的最后四分之一，怪诞成为墙壁装饰的流行主题。它们是基于在部分挖掘的奥雷亚大教堂（Domus Aurea）中发现的壁画：尼禄皇帝的金屋（约公元64年）。艺术家们很快参观了这些地下洞穴，并将其描述为"grotte"（石窟），这激发了"grottesche"这个名字的灵感。怪诞的一个特征是在构图和主题上都有高度的许可和幻想。这种墙壁装饰的主题特别荒淫无度，很可能是为城市宫殿的私人住宅设计的。
介绍（英）	Painted wall and ceiling decorations were an important part of the Italian 16th century interior. With their vibrant colors, they often had a determining influence on the atmosphere of a room. This design shows a decoration for a niche between two pillars which is filled by a so-called candelabra grotesque with male and female satyrs on its offshoots. Grotesques became a popular motif for wall decorations during the last quarter of the 15th century. They were based on the murals found in the partly excavated Domus Aurea: Emperor Nero’s Golden House (ca. 64 AD). The underground chambers were soon visited by artists and described as ‘grotte’ (grottoes) which inspired the name ‘grottesche’. A characteristic quality of grotesques is a high level of license and fantasy, both in terms of their composition and in their subject matter. The theme of this wall decoration is particularly licentious and was most likely designed for the private quarters of a city palace.