阿波罗和马西亚斯的竞争与米达斯的审判 - 美国大都会艺术博物馆展品查阅

品名（中）	阿波罗和马西亚斯的竞争与米达斯的审判
品名（英）	The Competition of Apollo and Marsyas and the Judgment of Midas
入馆年号	1953年，53.600.880
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giulio Sanuto【1540 至 1588】【意大利人】
创作年份	公元 1562
创作地区
分类	印刷品（Prints）
尺寸	页 (Tri毫米ed): 20 7/16 × 16 11/16 英寸 (51.9 × 42.4 厘米)
介绍（中）	Sanuto的雕刻是基于Bronzino为现在Hermitage的大键琴盖内部设计的。奥维德将阿波罗与潘的音乐比赛与萨提尔·马西亚斯（6.382-400）的音乐比赛分开，米达斯国王（变形记11.146-93）也参加了这场比赛。然而，其他消息来源将其混为一谈。佛罗伦萨人文主义者克里斯托福罗·兰迪诺任命米达斯和米涅瓦为与马西亚斯比赛的评委，正如他们在右边出现的那样。在中心，被击败的玛西亚斯被剥皮，而在背景中，阿波罗将长耳朵绑在米达斯的头上，惩罚他的错误判断。尽管国王把他们藏在头巾下（未显示），但他的理发师知道真相，并发誓要保密，把他们喊到一个洞里，正如我们在左前景中看到的那样。生长在那里的芦苇低声说："米达斯有驴耳朵。"萨努托用拉斐尔的帕纳索斯的缪斯和威尼斯的景色补充了他的模型。
介绍（英）	Sanuto's engraving is based on a design by Bronzino for the inside of a harpsichord lid now in the Hermitage. Ovid had kept Apollo's musical competition with Pan, attended by King Midas (Metamorphoses 11.146-93), separate from that with the satyr Marsyas (6.382-400). Other sources, however, conflated them. The Florentine humanist Cristoforo Landino had named Midas and Minerva as judges of the contest with Marsyas, as they appear here at right. In the center, the defeated Marsyas is flayed, while in the background, Apollo punishes Midas for his bad judgment by attaching long ears to his head. Although the king hid them beneath a turban (not shown), his barber knew the truth and, sworn to secrecy, shouted it into a hole, as we see in the left foreground. The reeds that grew there whispered, "Midas has ass's ears." Sanuto has supplemented his model with the Muses from Raphael's Parnassus and a view of Venice.