微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)阿尔弗诺圣山描述(阿尔弗诺神山描述)
品名(英)Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)
入馆年号1949年,49.62.11
策展部门绘画和印刷品Drawings and Prints
创作者Domenico Falcini【1575 至 1628】【意大利人】
创作年份公元 1612
创作地区
分类印刷品(Prints)
尺寸18 1/2 × 12 13/16 × 13/16 英寸 (47 × 32.5 × 2 厘米)
介绍(中)这本书是弗拉·利诺·莫罗尼(Fra Lino Moroni)对托斯卡纳阿佩内斯的蒙特德拉韦尔尼亚(今天称为拉韦尔纳)的描述性指南,于 1612 年在佛罗伦萨出版。 蒙特德拉韦尔尼亚是阿西西的圣弗朗西斯的撤退地,1224年他在那里停留了四十天冥想和禁食。 正是在蒙特德拉韦尔尼亚,他看到了天使带着被钉十字架的基督的异象,这导致他经历了圣痕。 这本书装订在牛皮纸上,书脊上印有"Monte di Vernia"的标题,包含 26 幅印刷品,带有凸版印刷机描述,根据 Jacopo Ligolzi 的设计,根据 Fra Lino Moroni 的说法,他于 1607 年与他一起访问了蒙特德拉韦尔尼亚。蚀刻版画由Raffaello Schiaminossi创作,版画由Domenico Falcini创作。根据卡门·班巴赫(Carmen Bambach)的说法,这个版本缺少一两个图版(意大利之旅:托比收藏的图纸:Corregio到Tiepolo,大都会艺术博物馆,2010年,第32号)。
这本相册中的图版包括以下内容:
未编号的对开页 1:阿西西的圣弗朗西斯四分之三长度设置在漩涡花饰内,周围环绕着多梅尼科·法尔奇尼在雅各布·利戈齐之后的武器和纹章装置 无编号对开页 2:弗
拉·利诺·莫罗尼致蒙雷阿莱主教的献词(1612 年 6 月)
未编号对开页 3:致读者
的地址图版 A:带有标题、图例和三张折叠版的描述,描绘了卡森蒂诺之路上的韦尔尼亚山,作者是 Schiaminossi(B.XVII.242.130;TIB。XVII.242.130)图版 B:带有标题、图例和印刷品的描述,描绘了圣弗朗西
斯之井,由法尔奇尼制作 图
版 C:带有标题、图例和印刷品的描述,描绘了圣弗朗西斯遇到鸟群的圣山,作者:Schiaminossi(B.XVII.242.131;TIB。XVII.242.131)图版
D:带有标题、图例和两张折叠版的描述,描绘了入口的剖面图,包括 1612 年法尔西尼的蒙特德拉韦尔尼亚修道院的广场、教堂和阳台。
图版 E:带有标题、图例和印刷品的描述,描绘了小教堂和修道院大门的外墙,由法尔西尼撰写。图
版 F:带有标题、图例和印刷品的描述,描绘了小教堂的内部,由法尔西尼创作。
图版 G:带有标题、图例和印刷品的描述,上面叠加了一块岩石的细节(翻盖粘附在印刷品上),描绘了圣玛丽抹大拉教堂的外观,这是法尔西尼在圣弗朗西斯留下的第一个牢房。
图版 H:带有标题、图例和印刷品的描述,描绘了法尔西尼于 1608 年创作的圣玛丽抹大拉教堂的内部。图
版 I:带有标题、图例和带有叠加岩石细节的印刷品(翻盖粘附在印刷品上)的描述描绘了圣弗朗西斯背诵七篇诗篇并有启示的巨石,由法尔西尼撰写。
图版 K:带有标题、图例和印刷品的描述,描绘了法尔西尼的神圣圣痕教堂公寓的平面图。
图版 L:带有标题、图例和印刷品的描述 十字架教堂,圣弗朗西斯居住的第二个牢房,由法尔西尼创作。
图版 M:带有标题、图例和印刷品的描述,描绘了法尔西尼在圣弗朗西斯接受圣痕的地方附近竖立的神圣圣痕教堂。
图版 N:带有标题、图例和印刷品的描述,描绘了法尔西尼的圣塞巴斯蒂安教堂。
图版 O:带有标题、图例和带有叠加桥的印刷品(翻盖粘附在印刷品上)的描述,描绘了恶魔试图将圣弗朗西斯从悬崖上扔下的地方,作者是 Schiaminossi(B.XVII.243.132 和 TIB。XVII.243.132)图
版P:带有标题,图例和印刷品的描述,描绘了圣母多次出现在Monte della Vernia居民面前的山毛榉树,作者Schiaminossi(B.XVII.243.133和TIB。XVII.243.133)图
版 Q:带有标题、图例和印刷品的描述,描绘了法尔西尼在山毛榉树治愈许多人,特别是盲人的地方建造的小教堂。
图版 R:带有标题、图例和叠加岩石的印刷品的描述,描绘了法尔西尼被称为圣弗朗西斯床的地方。
图版 S:带有标题、图例和印刷品的描述,描绘了法尔西尼的山毛榉教堂,基督多次出现。图
版 T:带有标题、图例和印刷品的描述,描绘了法尔西尼的拉韦尔纳圣约翰所在的教堂。
图版:V:带有标题、传说和印刷品的描述,描绘了布里根骚扰居民的著名岩石,直到圣弗朗西斯、斯基亚米诺西(B.XVII.244.134 和 TIB)皈依基督教。XVII.244.134)
图版X:描述标题,图例和印刷品,描绘了Schiaminossi(B.XVII.244.135和TIB。XVII.244.135)图
版 Y:带有标题、图例和带有叠加岩石细节(翻盖粘附在印刷品上的印刷品)的描述,描绘了圣弗朗西斯在圣山接受圣痕的地方,作者是 Schiaminossi(B.XVII.244.136 和 TIB。XVII.244.135)。
介绍(英)This book is a descriptive guide by Fra Lino Moroni to Monte della Vernia (today known as La Verna) in the Tuscan Appenines, published in Florence in 1612. Monte della Vernia was the retreat of Saint Francis of Assisi where in 1224 he stayed for forty days meditating and fasting. It was at Monte della Vernia where he had the vision of an angel carrying the crucified Christ, which led to his experiencing the stigmata. Bound in vellum with the title 'Monte di Vernia' inked on this spine, the book contains 26 prints with letterpress descriptions after designs by Jacopo Ligozzi, who according to Fra Lino Moroni, visited Monte della Vernia with him in 1607. The etchings are by Raffaello Schiaminossi and the engravings are by Domenico Falcini. According to Carmen Bambach this edition is missing one or two plates (An Italian Journey: Drawings from the Tobey Collection: Corregio to Tiepolo,The Metropolitan Museum of Art, 2010, cat.no.32).
The plates in this album include the following:
Unnumbered folio 1: Saint Francis of Assisi three quarter length set within a cartouche surrounded by trophies of arms and heraldic devices by Domenico Falcini after Jacopo Ligozzi
Unnumbered folio 2: Dedication from Fra Lino Moroni to Monsignor Arcivescovo di Monreale (June 1612)
Unnumbered folio 3: Address to the reader
Plate A: Description with a title, legend, and fold-out print of three sheets depicting Monte della Vernia from the Road of Casentino, by Schiaminossi (B.XVII.242.130; TIB.XVII.242.130)
Plate B: Description with a title, legend, and print depicting the Well of Saint Francis, by Falcini
Plate C: Description with a title, legend, and print depicting the Holy Mountain where Saint Francis encountered the flock of birds, by Schiaminossi (B.XVII.242.131; TIB.XVII.242.131)
Plate D: Description with a title, legend, and fold-out print of two sheets depicting a cut-away view of the entrance, with the piazza, church, and balconies of the Monastery of Monte della Vernia as it was in 1612, by Falcini.
Plate E: Description with a title, legend, and print depicting the facade of the minor church and of the main door to the convent, by Falcini.
Plate F: Description with a title, legend, and print depicting the interior of the minor church, by Falcini.
Plate G: Description with a title, legend, and print with superimposed detail of a rock (flap adhered to print) depicting the exterior of the Chapel of Saint Mary Magdalen, which was the first cell in wich Saint Francis stayed, by Falcini.
Plate H: Description with a title, legend, and print depicting the interior of the Chapel of Saint Mary Magdalen, by Falcini, dated 1608.
Plate I: Description with a title, legend, and print with superimposed rock detail (flap adhered to print) depicting the Boulder under which Saint Francis recited the seven psalms and had a revelation, by Falcini.
Plate K: Description with a title, legend, and print depicting a plan of the apartments of Chapel of the Sacred Stigmata, by Falcini.
Plate L: Description with a title, legend, and print the Chapel of the Cross, the second cell in wich Saint Francis lived, by Falcini.
Plate M: Description with a title, legend, and print depicting the Chapel of the Sacred Stigmata, erected near the spot where Saint Francis received the Stigmata, by Falcini.
Plate N: Description with a title, legend, and print depicting the Chapel of Saint Sebastian, by Falcini.
Plate O: Description with a title, legend, and print with superimposed bridge (flap adhered to print) depicting the place where a demon attempted to throw Saint Francis off of a cliff, by Schiaminossi (B.XVII.243.132 and TIB.XVII.243.132)
Plate P: Description with a title, legend, and print depicting the beech tree where the Virgin appeared several times to the inhabitants of Monte della Vernia, by Schiaminossi (B.XVII.243.133 and TIB.XVII.243.133)
Plate Q: Description with a title, legend, and print depicting the small chapel built on the site where the beech tree healed many, in particular the blind, by Falcini.
Plate R: Description with a title, legend, and print with superimposed rock depicting the place known as the Bed of Saint Francis, by Falcini.
Plate S: Description with a title, legend, and print depicting the Chapel of the Beech, where Christ appeared several times, by Falcini.
Plate T: Description with a title, legend, and print depicting the Chapel that housed the Blessed John of La Verna, by Falcini.
Plate: V: Description with a title, legend, and print depicting the famous rock where Brigand molested the inhabitants, until converted to Christianity by Saint Francis, by Schiaminossi (B.XVII.244.134 and TIB.XVII.244.134)
Plate X: Description with a title, legend, and print depicting the ancient public square of Monte della Vernia, by Schiaminossi (B.XVII.244.135 and TIB.XVII.244.135)
Plate Y: Description with a title, legend, and print with superimposed rock detail (flap adhered to print) depicting the place where Saint Francis received the stigmata at the Holy Mountain, by Schiaminossi (B.XVII.244.136 and TIB.XVII.244.135).
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。