圣保罗的皈依 - 美国大都会艺术博物馆展品查阅

品名（中）	圣保罗的皈依
品名（英）	The Conversion of Saint Paul
入馆年号	2002年，2002.33
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Ludovico Carracci【1555 至 1619】【意大利人】
创作年份	公元 1582 - 公元 1594
创作地区
分类	图画（Drawings）
尺寸	页: 22 3/8 x 13 5/8 英寸 (56.8 x 34.6 厘米)
介绍（中）	洛多维科（Lodovico）于2002年被博物馆收购，是最近发现的，也是他为圣弗朗西斯科博洛尼亚教堂（现藏于博洛尼亚国家美术馆）著名的早期祭坛画的唯一可靠研究。在绘画中和绘画中一样，对角线的使用，形式的裁剪，激动的运动和富有远见的照明都为当下的戏剧性提供了即时性 - 并证明了巴洛克风格的出现。对绘画中光线效果的研究，这幅画在许多细节上与完成的祭坛画不同。例如，通过用海绵或布擦拭水性白色亮点而在这里产生的天光光束，从画中被省略了。这幅画最初是由弗朗索瓦丝·维亚特（Françoise Viatte）归于卢多维科·卡拉奇（Ludovico Carracci）的，尽管在她2004年的专著（卢多维科·卡拉奇和绘画艺术）中，巴贝特·博恩（Babette Bohn）拒绝了卡拉奇的作者身份，转而支持归于卡维多内。
介绍（英）	Acquired by the Museum in 2002, this dazzling drawing by Lodovico is a recent discovery and the only securely attributed study for his famed early altarpiece for the Bolognese church of San Francesco (now in the Pinacoteca Nazionale, Bologna). In the drawing as in the painting, the use of diagonals that lead into the space, the cropping of forms, the agitated movement, and the visionary lighting all lend immediacy to the drama of the moment-and testify to the emergence of the Baroque style. A study for the effects of light in the painting, the drawing differs from the finished altarpiece in a number of details. The beams of heavenly light, for example, created here by wiping the aqueous white highlights with a sponge or cloth, were omitted from the painting. The drawing was first attributed to Ludovico Carracci by Françoise Viatte, although In her monograph of 2004 (Ludovico Carracci and the Art of Drawing), Babette Bohn has rejected Carracci's authorship, in favor of an attribution to Cavedone.