帕多瓦的圣安东尼治疗一个病人（校长）；基于直肠作文的部分图形研究（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	帕多瓦的圣安东尼治疗一个病人（校长）；基于直肠作文的部分图形研究（verso）
品名（英）	Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
入馆年号	1949年，49.116.3
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Tiberio Titi【1573 至 1622】【意大利人】
创作年份	公元 1590 - 公元 1600
创作地区
分类	图画（Drawings）
尺寸	5 9/16 x 7 3/8 英寸 (14.2 x 18.7 厘米)
介绍（中）	Philip Pouncey于1965年首次指出，这幅画可能是Santi di Tito之后的复制品（如本页背面所注释）。正如卡门·班巴赫（Carmen Bambach）所指出的，大都会的图纸似乎是一幅与帕多瓦的圣安东尼（Saint Anthony of Padua）治愈一名病人的画作（Teyler Museum B 71，Haarlem）密切相关的复制品，该画作被认为是Carel van Tuyll van Serooskerken创作的圣蒂托圆环（Circle of Santi di Tito）。这可能是在桑蒂·迪蒂托的工作室里复制的，因为钢笔的处理方式似乎与他的一般方式很接近。Carel van Tuyll van Serooskerken，《泰勒博物馆十五世纪和十六世纪的意大利绘画》，哈勒姆，2000年，第166页，猫。100. 大都会绘画的作者很可能是提比里奥·提蒂，他是卡门·班巴赫提出的更著名的画家桑蒂·迪·蒂托（Borgo Sansepolcro 1536-1692佛罗伦萨）的儿子。缩写的面部符号是提贝里奥绘图技巧的极端特征，可以在提贝里奥为《圣母诞生》（Istituto Nazionale per la Grafica di Roma，FC 127645）所做的研究中看到尽管van Tuyll将Teyler的图纸与圣弗朗西斯·达·保拉的画作《治愈一个跛子》（S.Giuseppe，佛罗伦萨）联系在一起，但这幅画和大都会的图纸与这幅祭坛画并没有令人信服的联系。与画中更统一、更单一的背景相比，钢笔和墨水的设计中的建筑背景和视角更加复杂和混乱。此外，两张纸中的人物排列也更具自然主义的简洁性。此外，两幅图的方向都是相反的。
介绍（英）	Philip Pouncey first noted in 1965 that this drawing might be a copy after Santi di Tito (as annotated on the verso of this sheet). As pointed out by Carmen Bambach, the Metropolitan's sheet seems to be a very closely related copy of the drawing with Saint Anthony of Padua healing a sick man (Teyler Museum B 71, Haarlem), attributed to the Circle of Santi di Tito by Carel van Tuyll van Serooskerken. This is probably a copy done in Santi di Tito's workshop because the handling of the pen seems close enough to his general manner. The Teyler sheet is discussed and illustrated in Carel van Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum, Haarlem, 2000, p. 166, cat. 100. The author of the Metropolitan drawing is more probably Tiberio Titi, the son of the more famous painter, Santi di Tito (Borgo Sansepolcro 1536 - 1692 Florence), as proposed by Carmen Bambach. The abbreviated facial notations are extremely characteristic of Tiberio's draftsmanship and can be seen in Tiberio's study for the Birth of the Virgin (Istituto Nazionale per la Grafica di Roma, FC 127645). Although van Tuyll connects the Teyler sheet to the painting of St. Francis da Paola Healing a Cripple (S. Giuseppe, Florence), this drawing and the Metropolitan sheet do not convincingly relate to this altarpiece. The architectural setting and perspective are more complex and confused in the pen and ink designs as opposed to the more unifed, monolithic background in the painting. In addition, the figural arrangement in both sheets also reads with a greater naturalistic simplicity. Furthermore, the orientation of both drawings is in the reverse direction.