《四大耻辱》中的伊克西翁 - 美国大都会艺术博物馆展品查阅

品名（中）	《四大耻辱》中的伊克西翁
品名（英）	Ixion, from "The Four Disgracers"
入馆年号	1953年，53.601.338(65)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Hendrick Goltzius【1558 至 1617】【荷兰人】
创作年份	公元 1588
创作地区
分类	印刷品（Prints）
尺寸	页: 13 5/8 x 13 7/16 英寸 (34.6 x 34.1 厘米)
介绍（中）	这件非凡的发型是Goltzius与画家Cornelis Corneliz van Haarlem短暂合作创作的最大胆的作品之一。该系列中四个堕落者的共同纽带是，每个人都试图进入众神的领域，并因其傲慢而受到惩罚尽管Goltzius是根据Corneliz的设计创作的，但这些场景的引人注目的性质应该和画家一样受到赞扬。他大胆、网状、肿胀的笔触赋予了人物一种强大的存在感，并巧妙地唤起了光影在其波纹肌肉上的反射。围绕着Ixion（如图所示）和Tantalus（53.601.338（3））落入地狱般的环境的混乱感因漩涡线的重复图案而加剧。从不同的角度来看，这四个看似不同的姿势实际上或多或少是相同的姿势（一条腿向下弯曲，另一条腿抬起；一只手臂抬起，另一只手臂放下）。
介绍（英）	This extraordinary tondo is one of the most daring works to have resulted from the brief collaboration between Goltzius and the painter Cornelis Cornelisz van Haarlem. The common bond of the four fallers in the series is that each one tried to enter the realm of the gods and was punished for his hubris. Although he worked from Cornelisz's designs, Goltzius should be given just as much credit as the painter for the striking nature of these scenes. His bold, meshed, swelling strokes lend the figures a powerful presence and masterfully evoke the reflections of light and shadow on their rippling muscles. The sense of confusion surrounding the falls of Ixion (seen here) and Tantalus (53.601.338(3)) into their hellish surroundings is heightened by repeated patterns of swirling lines. The four seemingly varied poses are in fact more or less the same pose (one leg bent down, the other raised; one arm raised, the other lowered) viewed from different angles.