哀歌 - 美国大都会艺术博物馆展品查阅

品名（中）	哀歌
品名（英）	The Lamentation
入馆年号	2001年，2001.189
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan de Beer【1475 至 1528】【荷兰人】
创作年份	公元 1495 - 公元 1520
创作地区
分类	图画（Drawings）
尺寸	6 x 9 英寸 (15.3 x 22.9 厘米)
介绍（中）	这幅异常精美的作品体现了十六世纪早期安特卫普风格主义绘画风格。这幅画可能是由这一学派最伟大的实践者之一Jan de Beer绘制的，描绘了哀歌，前景是基督的尸体躺在亚麻布上，他周围的人物表达了哀悼和绝望的各个阶段。圣母玛利亚跪在她儿子的身体上方，在构图的中心，福音派圣约翰站在她正后方，抹大拉的玛丽拿着一瓶药膏跪在基督的脚边。安特卫普礼仪主义的特点是戏剧性的手势和姿势、飘动的窗帘、异国情调的服装和现场高涨的情感氛围。增加构图活力的是绘画技巧——尤其是阴影中的短而有力的笔触——以及紧凑的人物排列。这两个特征都出现在扬·德·比尔的作品中，他的《哀歌》（都灵，萨巴达美术馆）的绘画版本也具有丰富的表现主义特征。这张纸可能是为了研究一幅未知或从未完成的主题绘画。
介绍（英）	This exceptionally fine work exemplifies the early sixteenth-century Antwerp Mannerist drawing style. Possibly by Jan de Beer, one of the greatest practitioners of this school, the drawing depicts the Lamentation, with Christ's body laid out on a linen cloth in the foreground and figures around him expressing various stages of mourning and despair. The Virgin Mary kneels above her son's body in the center of the composition, Saint John the Evangelist stands directly behind her, and Mary Magdalene, with a vase of ointment, kneels at Christ's feet. Characteristic of Antwerp Mannerism are the dramatic gestures and postures, the fluttering draperies, the exotic costumes, and the heightened emotional atmosphere of the scene. Adding to the vibrancy of the composition are the drawing technique–the short, energetic strokes in the hatching, in particular–and the tightly packed arrangement of figures. Both of these traits are found in the works of Jan de Beer, whose painted version of the Lamentation (Turin, Galleria Sabauda) also has a richly expressionistic character. This sheet may have been intended as a study for an unknown or never completed painting of the subject.