Pietro Aretino肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	Pietro Aretino肖像
品名（英）	Portrait of Pietro Aretino
入馆年号	1917年，17.50.40
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Marcantonio Raimondi【1475 至 1534】【意大利人】
创作年份	公元 1512 - 公元 1525
创作地区
分类	印刷品（Prints）
尺寸	页: 8 3/8 × 5 7/8 英寸 (21.3 × 15 厘米)
介绍（中）	诗人兼讽刺作家彼得罗·阿雷蒂诺（1492-1556）经常被认为是第一位现代色情作家，他写了一些十六世纪最耸人听闻、最淫秽的诗句，最著名的是他为朱利奥·罗曼诺（Giulio Romano）的《我的莫迪》（I modi）所写的十六首十四行诗，以及以世俗智慧的普塔娜（妓女）娜娜（Nanna）为主角的情色对话，她以明确而生动的细节讲述了她自己和她秘密目睹的无数其他人无尽而多样的性冒险 Marcantonio Raimondi雕刻的阿雷蒂诺肖像可能是由威尼斯画家Sebastiano del Piombo设计的，尽管Marcantonio与之合作创作《I modi》的Giulio Romano的名字也被提出。这可能可以追溯到他职业生涯的早期，当时阿雷蒂诺还是一个不知名的罗马新人，他和朱利奥为富有的教皇银行家阿戈斯蒂诺·奇吉工作；另一种观点认为，这幅版画是在1525年左右由马尔坎托尼奥创作的，是为了表达对阿雷蒂诺的感激之情。在伊莫迪丑闻发生后，阿雷蒂诺曾与雕刻师协商将其从监狱释放阿雷蒂诺端庄的举止和优雅的服装赋予了他文艺复兴时期朝臣的优雅气质。他那显眼的帽徽掩盖了这一外表，这是对这位讽刺作家越轨、淫秽言论的引用，即阴茎应该受到尊重，并像"帽子上的勋章"一样自豪地展示
介绍（英）	Often regarded as the first modern pornographer, the poet and satirist Pietro Aretino (1492–1556) penned some of the most lurid and salacious verses of the sixteenth century, most famously the sixteen sonnets he wrote to accompany Giulio Romano's I modi and the erotic dialogues featuring a worldly-wise puttana (prostitute) Nanna conversing in explicit and lively detail about endless and infinitely varied sexual adventures—her own and those of innumerable others that she surreptitiously witnessed. Marcantonio Raimondi's engraved portrait of Aretino was probably designed by the Venetian painter Sebastiano del Piombo, although the name of Giulio Romano—with whom Marcantonio collaborated on I modi—has also been proposed. It may date from the early moment of his career, when Aretino was still an unknown newcomer to Rome and he and Giulio were working for the wealthy papal banker Agostino Chigi; an alternative view is that the print was executed about 1525 as an expression of gratitude by Marcantonio to Aretino, who had negotiated the engraver's release from prison after the scandal of I modi. Aretino's dignified mien and elegant costume impart to him the refined aspect of Renaissance courtier. That facade is belied by his conspicuous hat badge—an invocation of the satirist's transgressive, obscene pronouncement that the phallus should be venerated and displayed as proudly "as a medal in one's hat." (Based on L. Wolk-Simon, "'Rapture to the Greedy Eyes': Profane Love in the Renaissance", in Art and Love in the Renaissance, 2008, pp. 43-58)