“Quarantore”装饰设计 - 美国大都会艺术博物馆展品查阅

品名（中）	“Quarantore”装饰设计
品名（英）	Design for a "Quarantore" Decoration
入馆年号	1993年，1993.120
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Federico Zuccaro (Zuccari)【1540 至 1609】【意大利人】
创作年份	公元 1540 - 公元 1609
创作地区
分类	图画（Drawings）
尺寸	15-5/16 x 11-1/4 英寸 (38.9 x 28.5 厘米)
介绍（中）	这个精心绘制的比例模型为十六世纪后期被广泛庆祝的礼仪实践提供了设计。正如这里所示，圣体圣事被放置在一个小坟墓中，在那里它被放置并被崇拜，就像基督的身体在复活前躺在坟墓里一样四十个小时。费德里科通过暗示变形的那一刻增加了另一个层次的意义，当时使徒们看到基督与旧约先知以利亚和摩西交谈 - 在这里以雕像的名义看到 - 以及父神的声音从云中说话，确定基督是他的"爱子"。这幅画面，特别是天界的照明和虚构的云彩，预示着精心制作的戏剧"机器"，这些机器将标志着十七世纪四十小时的奉献。这张详细的演示图为一个临时结构提供了一个设计，该结构是为"Quarent"矿石（四十小时）的奉献而竖立的。主人被持续崇拜了四十个小时，反映了基督的死和他的复活之间的时间。如图所示，主人躺在棺材或石棺中，放置在侧祭坛或教堂的临时结构上。这种礼仪做法可能起源于米兰，在十六世纪下半叶变得普遍，作为在危险或灾难时期进行代祷的正式请求。今天，罗马天主教会仍在实践，尽管发生了变化。
介绍（英）	This carefully drawn scale model provides a design for a liturgical practice that came to be widely celebrated in the late sixteenth century. As shown here, the Eucharist was placed in a small sepulcher where it remained, and was worshiped, for the same forty hours that Christ's body lay in the tomb prior to the Resurrection. Federico has added another level of significance by alluding to the moment of the Transfiguration, when the apostles saw Christ conversing with the Old Testament prophets Elijah and Moses-seen here in the guise of statues-and the voice of God the Father spoke from a cloud, identifying Christ as his "beloved son." This tableau, particularly the illumination and fictive clouds of the celestial realm, anticipates the elaborate theatrical "machines" that would mark the Devotion of the Forty Hours in the seventeenth century. This detailed presentation drawing offers a design for a temporary structure erected for a devotion of "Quarent' Ore" (Forty Hours). The host was continuously adored for forty hours, reflecting the time between Christ's death and his Resurrection. As seen in the drawing, the host lay in a casket or sarcophagus placed on a temporary structure in a side altar or chapel. Probably originiating in Milan, this liturgical practice became common during the second half of the sixteenth century as a formal plea for intercession in times of danger or calamity. It is still practiced, though with changes, in the Roman Catholic Church today.