天使的神圣家庭 - 美国大都会艺术博物馆展品查阅

品名（中）	天使的神圣家庭
品名（英）	The Holy Family with Angels
入馆年号	1962年，62.120.4
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pomarancio (Cristoforo Roncalli)【1553 至 1626】【意大利人】
创作年份	公元 1603 - 公元 1605
创作地区
分类	图画（Drawings）
尺寸	14 1/8 x 10 5/8 英寸 (35.9 x 27 厘米)
介绍（中）	这幅由圣母玛利亚、圣约瑟夫和圣婴在天使陪伴下的有力画作于 1952 年由菲利普·普罗西首次出版，他认为这是对朗卡利现在在罗马博尔盖塞美术馆的"神圣家族"绘画的研究（第 330 节）。这幅画和相关图纸可追溯到大约 1603-1605 年。这张纸用黑色粉笔绘制，代表了 17 世纪初朗卡利绘图技巧的大胆典范，灵感来自米开朗基罗和朱塞佩·塞萨里，骑士达皮诺的不朽。纸张背面的缩进线和纸张反面的黑色粉笔灰尘的大量摩擦都是"calco"技术的标志——一种将设计复制或转移到辅助支撑上以产生相同比例的模型图纸的做法。1964年，雅各布·比恩（Jacob Bean）在佛罗伦萨发现了同一幅画的第二项研究（GDSU，inv. 15428 F; 38.7 x 27.3 cm）。与博物馆的图纸相反，佛罗伦萨的构图是用蓝色纸上的黑色，红色和白色粉笔绘制的（见"Disegni dei toscani a Roma，1580-1620"，佛罗伦萨，1979年，第27号）。两幅预备画的构图在许多细节上也有所不同，反过来，两者都与罗马的画作略有不同。（F.R.）
介绍（英）	This powerful drawing with the Virgin Mary, St Joseph and the Christ Child accompanied by angels was first published in 1952 by Philip Pouncey, who recognized it as a study for Roncalli's painting of ‘The Holy Family’ now in the Galleria Borghese, Rome (Inv. 330). The painting and the related drawing are datable to ca. 1603-1605. Drawn in black chalk, this sheet represents a bold example of Roncalli’s draftsmanship at the dawn of the seventeenth century, inspired by the monumentality of Michelangelo and Giuseppe Cesari, Cavaliere d’Arpino. The indented lines on the recto of the sheet and the extensive rubbing with black chalk dust on the verso of the paper are both signs of the ‘calco’ technique – a practice adopted to copy or transfer the design onto a secondary support to produce model drawings of identical scale. In 1964 Jacob Bean found a second study in Florence (GDSU, inv. 15428 F; 38.7 x 27.3 cm) for the same painting. In contrast to the Museum’s drawing, the Florentine composition is worked out in black, red, and white chalk on blue paper ( repr. in ‘Disegni dei toscani a Roma, 1580-1620', Florence, 1979, no. 27). The composition of the two preparatory drawings also differs in a number of details, and both, in turn, differ slightly from the painting in Rome. (F.R.)