圣母在圣殿中的展示（下图），亚伯拉罕即将献祭以撒（上图） - 美国大都会艺术博物馆展品查阅

品名（中）	圣母在圣殿中的展示（下图），亚伯拉罕即将献祭以撒（上图）
品名（英）	Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)
入馆年号	1963年，63.75.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Perino del Vaga (Pietro Buonaccorsi)【1501 至 1547】【意大利人】
创作年份	公元 1520
创作地区
分类	图画（Drawings）
尺寸	8 7/8 x 10 1/16英寸 (22.6 x 25.5厘米)
介绍（中）	1520年，佩里诺·德尔·瓦加的主人拉斐尔去世后，佩里诺·德尔·瓦加进行的第一个独立项目之一是为强大的佛罗伦萨红衣主教洛伦佐·普奇（1458-1531）在罗马蒙蒂三一教堂的普奇小堂的壁画装饰。在高哥特式拱顶的三角形隔间里，这是一个充满挑战和尴尬的绘画领域，尤其是在多人物叙事作品中，艺术家创作了圣母玛利亚的生活场景，小教堂就是献给圣母玛利亚的。这是对其中一幅壁画的预备研究，这幅自信的画作以流畅地处理不同的媒介为特征，并将其放大，以便将设计转移到拱顶，这证明了佩里诺作为一名绘图员的非凡天赋，他从职业生涯一开始就受到了赞誉。在这里，就像在普奇教堂的其他场景中一样，玛丽安的主题与《旧约》的叙事相结合，在这种情况下，是艾萨克的牺牲，神学家将其解释为基督牺牲的前奏佩里诺于1523年完成了普奇小教堂的壁画装饰，但在1527年罗马麻袋的戏剧性事件后仍未完成。这一循环后来由塔德奥（1562年至1566年）和费德里科·祖卡里（1566年起）兄弟完成。1601年，罗马收藏家Antonio Tronsarelli的尸检清单中列出了大都会艺术博物馆的这幅画，连同现在位于维也纳阿尔贝蒂娜的Pucci小教堂的第二张预备表（"Joachim and Anne Meeting at the Golden Gate，"发票24983，23.4 x 25.6厘米）如下："A60。真是疯了。[on]na sale al tempio pur de chiaro oscuro Pierino"（有关此库存和完整参考书目，请参阅此处的"参考文献"）
介绍（英）	One of the first independent projects Perino del Vaga undertook after the death of his master Raphael in 1520 was the decoration in fresco of the Pucci chapel in the Roman Church of Trinità dei Monti for the powerful Florentine cardinal Lorenzo Pucci (1458-1531). In the triangular-shaped compartments of the High Gothic–style vault, a challenging and awkward pictorial field, particularly for multifigured narrative compositions, the artist executed scenes from the life of the Virgin Mary, to whom the chapel was dedicated. A preparatory study for one of the frescoes, this confident drawing—characterized by a fluid handling of different media, and squared for enlargement in order to transfer the design to the vault—attests to Perino’s prodigious gifts as a draftsman, for which he was acclaimed from the very beginning of his career. Here, as in the other scenes in the Pucci Chapel, the Marian subject matter is paired with an Old Testament narrative, in this case, the Sacrifice of Isaac, which theologians interpreted as a prefiguration of the sacrifice of Christ. The decoration in fresco of the Pucci chapel was carried out by Perino in 1523, but left unfinished in 1527 after the dramatic events of the Sack of Rome. The cycle was later completed by the brothers Taddeo (1562-66) and Federico Zuccari (from 1566). Together with a second preparatory sheet for the Pucci chapel now in the Albertina, Vienna (‘Joachim and Anne Meeting at the Golden Gate,’ inv. 24983, 23.4 x 25.6 cm) the drawing in the Metropolitan Museum of Art is listed in the 1601 post-mortem inventory of the Roman collector Antonio Tronsarelli as follows: "A60. Quando la mad.[on]na sale al tempio pur de chiaro oscuro Pierino" (for this inventory and full bibliography see here ‘References’)