裸男之战 - 美国大都会艺术博物馆展品查阅

品名（中）	裸男之战
品名（英）	Battle of the Nude Men
入馆年号	1917年，17.50.99
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Antonio Pollaiuolo【1432 至 1498】【意大利人】
创作年份	公元 1465 - 公元 1475
创作地区
分类	印刷品（Prints）
尺寸	页: 15 1/8 x 23 3/16 英寸 (38.4 x 58.9 厘米)
介绍（中）	作为意大利最早、最具影响力的版画之一，这种版画在许多方面都是一种反常现象。这是当时最大的版画，也是唯一一幅由佛罗伦萨艺术家安东尼奥·波莱乌洛（1431/32-1498）签名的版画。与其他博物馆一样，博物馆的印象显示了处理和检查造成的磨损印刷品的主题从未被完全解释过。一些人认为，这幅版画是为了描绘一个神话故事，而另一些人则将其视为一件图案作品，旨在展示一系列姿势和观点，以造福其他艺术家。另一种解释认为，被锁定在战斗中的十个裸体人物可能是在葬礼游戏中战斗的角斗士，印刷品本身可能是为了纪念一位著名佛罗伦萨人的去世 Pollaiuolo的明显兴趣是从不同的角度描述处于动作状态、不同姿势的人体。这些人物的肌肉弯曲而夸张，但却展示了艺术家对解剖学的敏锐理解。战士们以互补的姿势精心配对，为激烈的战斗注入了舞蹈般的秩序。
介绍（英）	One of the earliest and most influential Italian engravings, this print is an anomaly in many respects. It is the largest engraving of its time, and the only one signed by the Florentine artist Antonio Pollaiuolo (1431/32–1498). The Museum's impression, like others, shows the wear that resulted from handling and examination. The subject of the print has never been completely explained. Some people have argued that the print was meant to illustrate a mythological episode, while others have viewed it as a pattern piece, intended to demonstrate a range of poses and viewpoints for the benefit of other artists. Another interpretation suggests that the ten nude figures locked in combat may be gladiators fighting in funeral games, and the print itself may have commemorated the death of a prominent Florentine. Pollaiuolo's apparent interest is to describe the human body in a state of action, in varied poses, and from different angles. The figures' muscles are flexed and exaggerated but nevertheless demonstrate the artist's keen understanding of anatomy. The careful pairing of fighters in complementary poses injects the violent battle with a dancelike order.