一个站着的年轻人，拉起窗帘，向左看 - 美国大都会艺术博物馆展品查阅

品名（中）	一个站着的年轻人，拉起窗帘，向左看
品名（英）	Study for a Standing Young Man, Raising a Curtain and Looking at Left
入馆年号	1996年，1996.177
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Baccio Bandinelli【1493 至 1560】【意大利人】
创作年份	公元 1518 - 公元 1519
创作地区
分类	图画（Drawings）
尺寸	15 x 10-5/16 英寸 (38.1 x 26.2 厘米)
介绍（中）	这项大型生活研究取材于一名男性助理（"garzone"）在艺术家的工作室里摆出的姿势，目的是设计1518-1519年班迪内利大理石浮雕"圣母诞生"（洛雷托圣卡萨宫）中右侧举着窗帘的女性侍从形象。这张纸是班迪内利早期用红粉笔画的典型作品，他用各种标记绘制了这些画，从尖锐的轮廓到宽阔的软造型，其方式让人想起安德里亚·德尔·萨尔托（意大利语，1486-1530）的绘图技巧。伦敦大英博物馆（inv.18850593.5）收藏了另一份以红粉笔绘制的关于同一人物的生活研究，该研究以同一车间助理为基础。大英博物馆的研究描绘了这个人物的细节较少，他的头转向了四分之三的视角，而不是像大都会博物馆的图纸上所示的那样是侧面这些画中的男性车间助理随后分别在科堡的维斯特和佛罗伦萨的乌菲齐被改造成了两幅水墨画中的女性形象。这个姿势在最后的大理石浮雕中只做了一些小的调整就最终解决了。在文艺复兴时期，使用男性模特来塑造女性和男性形象是正常的做法（卡门C.班巴赫，2000）
介绍（英）	This large-scale life study was drawn from a male assistant (‘garzone’) posing in the artist's workshop, in order to design the female attendant figure holding the curtain on the right in Bandinelli's marble relief of the ‘Birth of the Virgin’ (Shrine of Santa Casa, Loreto), from 1518-1519. The sheet is typical of Bandinelli's early drawings in red chalk, which he worked up with a variety of mark, from sharp outlines to broad areas of soft modelling, in a manner that is reminiscent of the draughtsmanship of Andrea del Sarto (Italian, 1486-1530). Another life study in red chalk for the same figure, and based on the same workshop assistant, is in the British Museum, London (inv. 1885,0593.5). The British Museum study portrays the figure in less detail and with his head turned in a three-quarter view, rather than in profile, as he is seen in the Metropolitan Museum sheet. The male workshop assistant seen in these drawings was then transformed into female figures in two pen and ink drawings, in Veste, Coburg and the Uffizi, Florence respectively. The pose was finally resolved with only small adjustments in the final marble relief. The use of male models for both female and male figures was normal practice during the Renaissance. (Carmen C. Bambach, 2000)