黛安娜和阿克泰翁 - 美国大都会艺术博物馆展品查阅

品名（中）	黛安娜和阿克泰翁
品名（英）	Diana and Actaeon
入馆年号	1997年，1997.93
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Bartholomeus Spranger【1546 至 1611】【荷兰人】
创作年份	公元 1580 - 公元 1585
创作地区
分类	图画（Drawings）
尺寸	16 1/4 x 12 5/8英寸 (41.3 x 32.1厘米)
介绍（中）	这幅画代表了戴安娜和阿克泰翁的故事，正如奥维德的变形记（第三卷：138-253）中所讲述的那样。阿克泰恩栖息在左上角的岩石露头上，俯视着戴安娜，戴安娜正在封闭的树木繁茂的环境中与仙女一起沐浴。当沐浴者试图掩护自己时，戴安娜向入侵者泼水，入侵者正在变成一只雄鹿作为惩罚。虽然这幅画的功能尚不清楚，但它很可能是作为橱柜绘画的研究而制作的。以垂直格式提出这一主题的概念是不寻常的，非常适合这一目的。斯普兰格出生于安特卫普，1580年被皇帝鲁道夫二世召唤到布拉格，担任他最重要的宫廷艺术家之一，担任首席画家的角色。他在皇宫内有一个作坊，与天皇建立了密切的关系，经常在他的直接监督下工作。这是斯普兰杰在法庭上受雇期间执行的众多神话主题之一。
介绍（英）	This drawing represents the story of Diana and Actaeon, as told in Ovid's Metamorphoses (Book III: 138–253). Perched atop a rocky outcropping at upper left, Actaeon looks down upon Diana, who is bathing in the company of nymphs in an enclosed wooded setting. As the bathers attempt to cover themselves, Diana splashes water at the intruder, who is being transformed into a stag as punishment. Although the function served by the drawing is not known for certain, it is likely to have been made as a study for a cabinet painting. The conception of this subject in vertical format is unusual and would be well suited for this purpose. Born in Antwerp, Spranger was summoned to Prague in 1580 by Emperor Rudolf II to serve as one of his most important court artists, assuming a role that may be described as that of chief painter. He had a workshop located within the imperial palace, and developed a close relationship with the emperor, often working under his direct supervision. This is among a number of mythological subjects executed by Spranger during the years he was in court employ.