拿骚伯爵奥托和他的妻子阿德尔海德·范·维亚宁 - 美国大都会艺术博物馆展品查阅

品名（中）	拿骚伯爵奥托和他的妻子阿德尔海德·范·维亚宁
品名（英）	Otto, Count of Nassau and his Wife Adelheid van Vianen
入馆年号	1995年，1995.12
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Bernard van Orley【1492 至 1542】【荷兰人】
创作年份	公元 1530 - 公元 1535
创作地区
分类	图画（Drawings）
尺寸	14 x 19 英寸 (35.6 x 48.3 厘米)
介绍（中）	15世纪20年代末，皇帝查理五世的顾问拿骚的亨利三世委托布鲁塞尔大师伯纳德·范·奥利（Bernard van Orley）设计了八幅挂毯，在奥兰治-拿骚的房子里颂扬他的祖先。这些挂毯是由威廉·德·莫扬（Willem de Moyen）在布鲁塞尔编织的，但很可能在1760年的一场大火中被毁，而这幅图和其他六幅图是委员会的唯一记录。这幅画是在博物馆于1995年收购它之前不久才被发现的，描绘了亨利十四世纪的祖先之一，拿骚伯爵奥托二世和他的妻子阿德尔海德·范·维登登（Adelheid van Vianden），穿着华丽的衣服，坐在马背上，背景是精致的风景。他们的纹章、一个花饰和一个印有他们名字的卡通画在构图上方，但挂毯也会在构图周围有一个装饰边框。这些人物和他们在前景中仔细观察的马之间的对比，以及深深退去的风景，是范·奥利新的织锦方法的特点，这与早期北方艺术家的更为二维的设计明显不同。
介绍（英）	At the end of the 1520s, Henry III of Nassau, advisor to Emperor Charles V, commissioned eight tapestry designs from the Brussels master Bernard van Orley glorifying his ancestors in the house of Orange-Nassau. The tapestries were woven by Willem de Moyen in Brussels, but were probably destroyed in a fire in 1760, and this and six other drawings are the only record of the commission. Discovered only shortly before the Museum acquired it in 1995, this drawing depicts one of Henry's fourteenth-century ancestors, Count Otto II of Nassau and his wife Adelheid van Vianden, seated on horseback, splendidly dressed, against the backdrop of an elaborate landscape. Their coats of arms, a festoon, and a cartouche mentioning their names top the composition, but the tapestry would also have had an ornamental border all around the composition. The contrast between the figures and their carefully observed horses in the foreground, and the deeply receding landscape is characteristic of van Orley's new approach to tapestry, which differs markedly from the more two-dimensional designs of earlier Northern artists.