自画像，来自“图像学” - 美国大都会艺术博物馆展品查阅

品名（中）	自画像，来自“图像学”
品名（英）	Self-Portrait, from "The Iconography"
入馆年号	1950年，50.583.4
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anthony van Dyck【1599 至 1641】【佛兰德人】
创作年份	公元 1635 - 公元 1645
创作地区
分类	印刷品（Prints）
尺寸	页: 9 1/2 × 6 1/8 英寸 (24.1 × 15.6 厘米)
介绍（中）	在这幅1640年左右生动的"自画像"中，安东尼·范·戴克（Anthony van Dyck）巧妙地用他绘画中的自发性和流动性蚀刻了他潇洒的转头，只是通过粗略但巧妙的线条暗示他的脖子和衣领。范戴克的《自画像》与他的"肖像学"中的其他版画一起——这是一个描绘了大约一百位著名贵族、学者，尤其是艺术家的肖像系列——以其对保姆的新鲜和原创描绘活跃了这一既定流派。 "肖像画"的版画，其中十五幅由范戴克执行，其余由九名雇佣版画家执行，几个世纪以来经历了多次修改和重印;幸运的是，范戴克本人蚀刻的那些早期状态幸存下来，例如"自画像"的第一个状态。在后来版本的"肖像学"中很明显，雕刻师雅克·尼夫斯（Jacques Neeffs）用雕塑般的半身像和基座完成了构图——这是否是范戴克的意图仍然未知。
介绍（英）	In this lively "Self-Portrait" of about 1640, Anthony van Dyck masterfully etched his rakishly turning head with the spontaneity and fluidity found in his drawings and merely suggested the rest of his body through the sketchy but deftly placed lines indicating his neck and collar. Together with the other prints in his "Iconography"—a portrait series depicting approximately one hundred famous nobles, scholars, and especially artists—Van Dyck's "Self-Portrait" enlivened this established genre with its fresh and original depiction of the sitter. The plates to the "Iconography," of which fifteen were executed by Van Dyck and the remainder by nine hired printmakers, underwent modification and reprinting many times over the centuries; fortunately, early states of those etched by Van Dyck himself survive, such as this first state of the "Self-Portrait." Evident in later editions of the "Iconography," the engraver Jacques Neeffs completed the composition with a sculptural bust and pedestal—whether or not this was Van Dyck's intention remains unknown.