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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)《启示录》中的四个骑士
品名(英)The Four Horsemen, from "The Apocalypse"
入馆年号1919年,19.73.209
策展部门绘画和印刷品Drawings and Prints
创作者Albrecht Dürer【1471 至 1528】【德国人】
创作年份公元 1498
创作地区
分类印刷品(Prints)
尺寸页: 15 1/4 x 11 7/16 英寸 (38.8 x 29.1 厘米) 图像: 15 1/4 x 11 英寸 (38.7 x 27.9 厘米)
介绍(中)丢勒为《启示录》系列插图中的第三幅也是最著名的木刻作品,《四骑士》对《启示录》(6:1-8)中的一段话进行了戏剧性的提炼:"我看见,有一匹白马,骑它的人有弓;有人给了他一顶王冠,他就出去征服。当他打开第二个印的时候,我听到第二个活物说:‘来吧!’然后又出来了一匹亮红色的马;骑它的被允许从地上夺取和平,这样人们就可以互相残杀;他得到了一把大刀。他打开印的时候第三只海豹,我听到第三只生物说:"来!"我看见一匹黑马,骑着它的人手里拿着天平。。。当他打开第四个印时,我听到第四个生物的声音说:"来!"我看见一匹苍白的马,骑它的名叫死亡,哈迪斯跟随他;他们被赐大能,管辖四分之一的地;用刀,饥荒,瘟疫,地上的野兽杀人。"丢勒改变了早期插图《圣经》中相对古板、不具威胁性的图像,通过他对木刻的微妙处理,将运动和危险注入了这一高潮时刻。图像上的平行线建立了一个基本的中间色调,艺术家在这个色调的衬托下,从左到右勾勒并重叠了四匹马和骑手的有力形态,死亡,饥荒、战争和瘟疫(或瘟疫)。它们的体积和强烈的对角线运动增强了图像的冲击力,有力地展示了Dürer能够在这种媒介中创造的精湛视觉效果。
介绍(英)The third and most famous woodcut from Dürer's series of illustrations for The Apocalypse, the Four Horsemen presents a dramatically distilled version of the passage from the Book of Revelation (6:1–8): "And I saw, and behold, a white horse, and its rider had a bow; and a crown was given to him, and he went out conquering and to conquer. When he opened the second seal, I heard the second living creature say, 'Come!' And out came another horse, bright red; its rider was permitted to take peace from the earth, so that men should slay one another; and he was given a great sword. When he opened the third seal, I heard the third living creature say, 'Come!' And I saw, and behold, a black horse, and its rider had a balance in his hand; ... When he opened the fourth seal, I heard the voice of the fourth living creature say, 'Come!' And I saw, and behold, a pale horse, and its rider's name was Death, and Hades followed him; and they were given great power over a fourth of the earth; to kill with sword and with famine and with pestilence and by wild beasts of the earth." Transforming what was a relatively staid and unthreatening image in earlier illustrated Bibles, Dürer injects motion and danger into this climactic moment through his subtle manipulation of the woodcut. The parallel lines across the image establish a basic middle tone against which the artist silhouettes and overlaps the powerful forms of the four horses and riders—from left to right, Death, Famine, War, and Plague (or Pestilence). Their volume and strong diagonal motion enhance the impact of the image, offering an eloquent demonstration of the masterful visual effects Dürer was able to create in this medium.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。